Johann Sebastian Bach And in the ev'ning of that very Sabbath

Cantata for 1st Sunday after Easter BWV 42, 1725

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Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement.
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  • 1 Sinfonia 2 Recitativo (Tenore)

    And in the ev’ning of that very Sabbath,
    the disciples were gather’d
    and the doors were securely bolted
    for fear of the Jews,
    then Jesus came and walked among them.

    3 Aria (Alto)

    When two or three together have come in Jesus’ blessed name,
    then comes also Jesus, standing with them and says to them the Amen.
    What ever comes from love or need,
    breaks not the highest laws of God.

    4 Choral. Duetto (Soprano e Tenore)

    Do not despair, O little flock,
    although your foes on ev’ry side will cruelly seek to destroy you,
    to find a way to make you fall;
    though filled with dread, much fear and dread,
    this will not last forever.

    5 Recitativo (Basso)

    In this short scene,

    ...

  • 1 Sinfonia 2 Recitativo (Tenore)

    Am Abend aber desselbigen Sabbats,
    da die Jünger versammlet
    und die Türen verschlossen waren
    aus Furcht für den Jüden,
    kam Jesus und trat mitten ein.

    3 Aria (Alto)

    Wo zwei und drei versammlet sind
    in Jesu teurem Namen,
    da stellt sich Jesus mitten ein
    und spricht darzu das Amen.
    Denn was aus Lieb und Not geschicht,
    das bricht des Höchsten Ordnung nicht.

    4 Choral. Duetto (Soprano, Tenore)

    Verzage nicht, o Häuflein klein,
    obgleich die Feinde willens sein,
    dich gänzlich zu verstören,
    und suchen deinen Untergang,
    davon dir wird recht angst und bang,

    ...

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  • Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.

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