Claudio Monteverdi: Magnificat a 8 voci con 6 vel 10 istromenti - Sheet music | Carus-Verlag

Claudio Monteverdi Magnificat a 8 voci con 6 vel 10 istromenti

from: Selva morale et spirituale 1640

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Full score Carus 40.437/00, ISMN 979-0-007-06819-6 56 pages, DIN A4, paperback
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Choral score Carus 40.437/05, ISMN 979-0-007-06820-2 20 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 40 copies 6,93 € / copy
from 60 copies 6,16 € / copy
Set of parts, complete orchestral parts Carus 40.437/19, ISMN 979-0-007-29291-1 23 x 32 cm, without cover
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  • 1 x Set of parts, harmony parts, trombone 1 (viola 1), trombone 2 (viola 2), trombone 3 (viola 3), trombone 4 (viola 4 (violoncello)) (40.437/09)
    each: 11,50 €
    3 x Individual part, violin 1 (40.437/11)
    each: 2,30 €
    3 x Individual part, violin 2 (40.437/12)
    each: 2,30 €
    3 x Individual part, basso continuo (40.437/17)
    each: 2,30 €
    1 x Individual part, organ (40.437/49)
    each: 14,90 €
Individual part, organ Carus 40.437/49, ISMN 979-0-007-29292-8 16 pages, 23 x 32 cm, without cover
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Full score digital (download), pdf file Carus 40.437/00-010-000, ISMN 979-0-007-26037-8 56 pages, DIN A4
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Set of parts digital (download), zip file, pdf file, harmony parts Carus 40.437/09-010-000, ISMN 979-0-007-42432-9 8 pages, 23 x 32 cm
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  • 1 x Individual part digital (download), pdf file, trombone 1 (viola 1) (40.437/31-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 2 (viola 2) (40.437/32-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 3 (viola 3) (40.437/33-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 4 (viola 4 (violoncello)) (40.437/34-010-000)
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Individual part digital (download), pdf file, violin 1 Carus 40.437/11-010-000, ISMN 979-0-007-42433-6 2 pages, 23 x 32 cm
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Individual part digital (download), pdf file, violin 2 Carus 40.437/12-010-000, ISMN 979-0-007-42434-3 2 pages, 23 x 32 cm
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Individual part digital (download), pdf file, basso continuo Carus 40.437/17-010-000, ISMN 979-0-007-42435-0 4 pages, 23 x 32 cm
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Set of parts digital (download), zip file, pdf file, complete orchestral parts Carus 40.437/19-010-000, ISMN 979-0-007-42436-7 23 x 32 cm
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  • 3 x Individual part digital (download), pdf file, violin 1 (40.437/11-010-000)
    each: 15,00 €
    3 x Individual part digital (download), pdf file, violin 2 (40.437/12-010-000)
    each: 15,00 €
    3 x Individual part digital (download), pdf file, basso continuo (40.437/17-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 1 (viola 1) (40.437/31-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 2 (viola 2) (40.437/32-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 3 (viola 3) (40.437/33-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trombone 4 (viola 4 (violoncello)) (40.437/34-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, organ (40.437/49-010-000)
    each: 22,35 €
Individual part digital (download), pdf file, trombone 1 (viola 1) Carus 40.437/31-010-000, ISMN 979-0-007-42437-4 2 pages, 23 x 32 cm
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15,00 € / copy
Individual part digital (download), pdf file, trombone 2 (viola 2) Carus 40.437/32-010-000, ISMN 979-0-007-42438-1 4 pages, 23 x 32 cm
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15,00 € / copy
Individual part digital (download), pdf file, trombone 3 (viola 3) Carus 40.437/33-010-000, ISMN 979-0-007-42439-8 4 pages, 23 x 32 cm
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15,00 € / copy
Individual part digital (download), pdf file, trombone 4 (viola 4 (violoncello)) Carus 40.437/34-010-000, ISMN 979-0-007-42440-4 2 pages, 23 x 32 cm
available
15,00 € / copy
Individual part digital (download), pdf file, organ Carus 40.437/49-010-000, ISMN 979-0-007-42441-1 16 pages, 23 x 32 cm
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22,35 € / copy
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  • During his youth in Cremona, Monteverdi received his first musical training from Marc'Antonio Ingegneri, the maestro di cappella at the Cathedral. After making his name with his first publications, including his First Book of Madrigals, he moved to the Gonzaga court in Mantua in 1590: he remained in the service of the family for twenty-two years, first as singer and violist, and later as maestro di cappella. There he composed further books of madrigals and, with L'Orfeo in 1607, one of the earliest operas in the history of music. The Vespers of the Blessed Virgin were also written in Mantua in 1610. In 1613 became Monteverdi maestro di cappella at St Mark's in Venice. He spent thirty musically fruitful years in this post. He composed sacred works, but remained interested in secular music and published his most extensive secular collections with books six to eight of his Madrigals. After the opening of the Venice opera house in 1637, the first public opera house ever , he returned to composing opera once more: both of his late operas, Il ritorno d'Ulisse in Patria and L'incoronazione di Poppea received their first performances here. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

Reviews

Monteverdi, Claudio (1567-1643): Magnificat

Ein Stück von derartig hoher musikalischer Qualität, darüber hinaus nur mittelschwer: kooperationswillige Chöre und Chorleiter sollten zugreifen. Für zwei Chöre - zahlenmäßig mittelstark besetzt genügt – die Spaß an der Zusammenarbeit haben, eine dankbare Aufgabe. Das Stück wäre bei einem sog. „Dekanatssingen” bestens aufgehoben; es könnte auch unter mehr Chorgruppen aufgeteilt werden. Stimmumfang kein Problem: der Sopran geht z.B. über e2 nicht hinaus. Ob die kurzen Solopartien in den Sopranen, Tenören und Bässen von Chor oder doch lieber von Solisten übernommen werden sollten, muss - je nach Gegebenheit – vor Ort entschieden werden. Sehr empfehlenswert.
Friedrich Storfinger, Musik im Bistum Essen 1996/I, S. 52

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