Ich hebe meine Augen auf. Telemann, Heinichen & Graupner in Leipzig
Even in the 18th century life in university towns offered many temptations, just made to distract students from their studies, though certainly music ranked among the more harmless diversions. Evidently, teems of students were drawn, particularly to sacred services in Leipzig but also, after 1701 to Georg Philipp Telemann's Collegium musicum, which he founded in 1701. This CD, performed by L'arpa festante and Rien Voskuilen, gives an admirable impression of the high level musical quality accessible in the University town of Leipzig at the beginning of the 18th century, when Telemann, Heinichen, and Graupner were making music there and presumably studying law "on the side."
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(28)
- Telemann: Ich hebe meine Augen auf zu den Bergen - Duetto "Ich hebe meine Augen auf"
- Telemann: Ich hebe meine Augen auf zu den Bergen - Aria (S) "Meine Hilfe kommt vom Herrn"
- Telemann: Ich hebe meine Augen auf zu den Bergen - Aria (B) "Er wird deinen Fuß"
- Telemann: Ich hebe meine Augen auf zu den Bergen - Duetto "Der Herr behüte dich
- Telemann: Ich hebe meine Augen auf zu den Bergen - Duetto "Der Herr behüte dich vor allem Übel"
- Telemann: Ich hebe meine Augen auf zu den Bergen - Duetto "Amen"
- Graupner: Vergnügte Ruh, beliebte Seelenlust - Aria "Vergnügte Ruh"
- Graupner: Vergnügte Ruh, beliebte Seelenlust - Recitativo "Die Welt, das Sündenhaus"
- Graupner: Vergnügte Ruh, beliebte Seelenlust - Aria "Wie jammern mich doch"
- Graupner: Vergnügte Ruh, beliebte Seelenlust - Recitativo "Wer sollte sich demnach"
- Graupner: Vergnügte Ruh, beliebte Seelenlust - Aria "Mir ekelt mehr zu leben"
- Telemann: Ouvertüre in Es - Ouverture
- Telemann: Ouvertüre in Es - Entrée
- Telemann: Ouvertüre in Es - Menuet 1+2
- Telemann: Ouvertüre in Es - Loure
- Telemann: Ouvertüre in Es - Gigue
- Telemann: Ouvertüre in Es - Bourée 1+2
- Telemann: Ouvertüre in Es - Polonoise
- Telemann: Ouvertüre in Es - Aria
- Telemann: Ouvertüre in Es - Passepied 1+2
- Heinichen: Herr, nun lässest du deinen Diener - Sonata. Adagio
- Heinichen: Herr, nun lässest du deinen Diener - SATB "Herr, nun lässest du"
- Heinichen: Herr, nun lässest du deinen Diener - Aria (B) "O Schatz, vergnüge mich"
- Heinichen: Herr, nun lässest du deinen Diener - Aria (T) "Nun fährt dein Knecht
- Heinichen: Herr, nun lässest du deinen Diener - SATB "Denn meine Augen
- Heinichen: Herr, nun lässest du deinen Diener - Aria (B) "Mein Augenlicht"
- Heinichen: Herr, nun lässest du deinen Diener - Duetto (SA) e Corale "Weg, o Welt"
- Heinichen: Herr, nun lässest du deinen Diener - Corale "Freu dich sehr, o meine Seele"
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Additional product information
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Preface writer
Michael Maul
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Ensemble
L'arpa festante Barockorchester
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Conductor
Rien Voskuilen
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Soloist - soprano
Veronika Winter
Soprano Veronika Winter studied in Erlangen, Nuremberg and Heidelberg/Mannheim among others with Norma Lerer and Eva-Maria Molnár. She is primarily interested in the interpretation of early music, and has collaborated with many renowned ensembles and conductors in the area. She is also a member of the Himlische Cantorey ensemble in Hamburg. In addition to the music of the 17th and 18th centuries, works from the Classical and Romantic periods are beginning to play a larger role in her repertoire. Veronika Winter is also regularly engaged to perform in concerts with contemporary music. She has participated in numerous radio and CD productions and performs regularly at international festivals. Personal details
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Soloist - alto
Alex Potter
Alex Potter’s was a choral scholar in Oxford where he simultaneously studied musicology. Thereafter he furthered his studies in the area of Early music with Gerd Türk and Evelyn Tubb at the Schola Cantorum Basiliensis. Specialized in the music of the 17th and 18th centuries he worked together with conductors such as Herreweghe, Bernius, Neumann, Cordes and Wilson. Performances of note include a solo concert of Viennese Baroque Music at the Utrecht Early Music Festival and Handel’s Messiah with the Danish Radio Choir and Orchestra under Marcus Creed. Numerous recordings, including several solo CDs, document his artistic activities. Personal details
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Soloist - tenor
Hans Jörg Mammel
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Soloist - bass
Markus Flaig
| 1971
Reviews
Le quatuor soliste ... se montre partout correct, accompagné par un orchestre mobile et chatoyant.
Jean-Luc Macia, Diapason, Juni 2016
The performances could hardly be better. The singers are very experienced interpreters [...] and this results in completely idiomatic performances. L'arpa festante is also excellent [...]
musicweb-international.com, Johan van Veen
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