Johann Christian Bach: Domine ad adjuvandum me - Sheet music | Carus-Verlag

Johann Christian Bach Domine ad adjuvandum me

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At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas’s, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach’s exquisite church music works, almost all written in the years 1757–1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach’s Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript.
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  • Domine ad adjuvandum me
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  • O Lord, haste thee to help me.
    Glory be to the Father, and to the Son, and to the Holy Spirit.
    As it was in the beginning, is now, and ever shall be,
    world without end. Amen.
    Psalms 69

    ...

  • Herr, eile mir zu Hilfe.
    Ehre sei dem Vater und dem Sohn und dem Heiligen Geist,
    wie im Anfang, so auch jetzt und alle Zeit
    und in Ewigkeit. Amen.
    Psalm 69

    ...

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Individual part digital (download), pdf file, oboe 1 Carus 38.104/21-010-000, ISMN 979-0-007-40893-0 4 pages, 23 x 32 cm
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Individual part digital (download), pdf file, oboe 2 Carus 38.104/22-010-000, ISMN 979-0-007-40894-7 4 pages, 23 x 32 cm
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  • Johann Christian Bach (1735–1782), the youngest son of the Thomaskantor, developed his personal style principally during a long stay in Italy (1755–1762) – a period which saw a break with the musical world of his father and his elder brothers. His easily accessible and melodious compositions, which were to have a lasting influence on the young Mozart, are characterized by the noble elegance and cantabile qualities of Italian opera aria. Beside numerous stage works, most of which date from his years in London (1762–1782), J.C. Bach also wrote sacred vocal works, and instrumental music for almost all the ensembles commonly used in this time. Personal details

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Aus dem fünfminütigen Werk spricht ein ehrgeiziger junger Mann, der sein Handwerkszeug fesselnd einzusetzen weiß. Der Satz ist wie immer bei Carus vorbildlich.
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