Die Bach-Söhne (Box mit 4 CDs)
“This music is in the best of hands with the Freiburg Baroque Orchestra” is the qualified judgment of the trade magazine Fono Forum about the Freiburg Baroque Orchestra’s “Bach-Söhne” (Sons of J.S. Bach) series issued by Carus-Verlag. With their recordings of numerous orchestral works and concerts by all four of Johann Sebastian Bach’s sons, the Freiburg Baroque Orchestra did justice to its trademark – a high standard of performance, pleasure in experimentation and a passion for music-making – time and again. This series, which has won several awards, is now available for the first time in a box set of 4 CDs. This results in an impressive panorama of the era that lies between Baroque and Classic.
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Ecouter
(12)
- Un poco Allegro
- Allegretto
- Vivace
- Allegro assai
- Adagio
- Allegro assai
- Largo
- J.C.F.Bach - Concerto grosso in Es: Romanza
- J.C.F.Bach - Sinfonia a 10 in B: Rondo. Allegretto scherzando
- Allegro
- Allegro. Allegretto. Adagio
- Larghetto
Acheter
Informations complémentaires sur l'œuvre
Sommaire
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L'auteur de l'avant-propos
Michael Rautenberg
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L'auteur de l'avant-propos
Peter Wollny
| 1961
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L'auteur de l'avant-propos
Ulrich Leisinger
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Ensemble
Freiburger Barockorchester Consort
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Chef d'orchestre
Gottfried von der Goltz
Gottfried von der Goltz has made a respected international name for himself as a Baroque violinist and Artistic Director of the Freiburger Barockorchester. As was common during the 18th century, he leads the FBO from the platform of the concertmaster. He also occasionally swaps the violin for the baton as, for example, in the Freiburger Barockorchester’s Beethoven Series which stretched over a period of many years. Gottfried von der Goltz made the specialist world sit up and take notice with successful CD recordings of the regrettably long-forgotten music of the Dresden Baroque and Bach’s sons. Nevertheless, he does not want to restrict himself to being a specialist in a particular repertoire. His diverse discography, ranging from the 17th century to the modern, shows instead that he is a tremendously versatile and flexible musician. In addition to his multi-layered chamber music engagements, Gottfried von der Goltz is Artistic Director of the Norsk Barokkorkesters. As a Professor, he is also a sought after teacher of Baroque and modern violin at the Hochschule für Musik in Freiburg. Plus d'information sur la personne
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Solist - clavecin
Michael Behringer
Michael Behringer was born in 1956. He first studied church music in Freiburg and, subsequently, organ and harpsichord in Vienna and Amsterdam. He has appeared as harpsichordist and played continuo with many renowned soloists and ensembles, most recently with Jordi Savall, Hesperion XX, the Freiburger Barockorchester and the Balthasar-Neumann-Ensemble under the direction of Thomas Hengelbrock. He was involved with the production of various CD’s for a Bach-Gesamtaufnahme (recording of the complete works), as well as other editions of Bach’s music. Michael Behringer teaches harpsichord and continuo playing at the Musikhochschule in Freiburg. Plus d'information sur la personne
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Solist - clavecin
Robert Hill
Robert Hill, professor for historical keyboard instruments and performance practice at the Staat - liche Hochschule für Musik Freiburg in Germany, studied harpsichord with Gus tav Leonhardt at the Sweelinck Conservatory Amsterdam, receiving his Soloist Diploma in 1974. In 1987 he earned his doctorate at Harvard University with a dissertation on the authenticity and sources of the early key - board music of Johann Sebastian Bach. His musical inter ests range from the performance of keyboard rep ertoire from about 1600 through the 19th century. He has won several prestigious awards, includ ing a National Endowment for the Arts Solo Reci - talist Award (1983) and the Cannes Classical Award 2002 for his recording with Guido Larisch of works for violoncello and fortepiano by Ferdinand Ries. Plus d'information sur la personne
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Solist - flûte
Karl Kaiser
Karl Kaiser studied flute, transverse flute and musicology at the music conservatories in Cologne and Münster. He has gone on to perform as a soloist, chamber, and orchestral musician in the field of historically-informed performance practice, and has established himself as an outstanding teacher. He has made numerous CDs. Kaiser has been a member and soloist of the Freiburg Baroque Orchestra for many years, and has been flutist of Camerata Köln for 30 years. Karl Kaiser is a founding member of the orchestra La Stagione Frankfurt, and flutist in the Ardinghello Ensemble for romantic chamber music. He is Professor of Transverse Flute at Frankfurt University of Music and Performing Arts and the Freiburg Musikhochschule. 2010 saw the publication of his book “Basiswissen Barockmusik”, followed by his “Principes de la flûte” on Jacques Hotteterre’s theories at the beginning of 2014. Plus d'information sur la personne
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Solist - piano
Michael Behringer
Michael Behringer was born in 1956. He first studied church music in Freiburg and, subsequently, organ and harpsichord in Vienna and Amsterdam. He has appeared as harpsichordist and played continuo with many renowned soloists and ensembles, most recently with Jordi Savall, Hesperion XX, the Freiburger Barockorchester and the Balthasar-Neumann-Ensemble under the direction of Thomas Hengelbrock. He was involved with the production of various CD’s for a Bach-Gesamtaufnahme (recording of the complete works), as well as other editions of Bach’s music. Michael Behringer teaches harpsichord and continuo playing at the Musikhochschule in Freiburg. Plus d'information sur la personne
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Solist - piano
Christine Schornsheim
Christine Schornsheim has enjoyed a busy career as a soloist and with renowned early music ensembles for several years, performing in concert series and festivals. Concert tours have taken her throughout Europe and America, to Israel and regularly to Japan. For several years her most important musical partners have been Andreas Staier on two keyboards, two fortepianos or fortepiano duet, the gamba player Hille Perl and transverse flautist Michael Schmidt-Casdorff. In 2005 her recording of the complete solo keyboard repertoire of Joseph Haydn, performed on five historic keyboard instruments, was acclaimed as a major milestone. Her recording with Andreas Staier of Mozart’s piano works for four hands on an unusual instrument which combines harpsichord and fortepiano and built by Andreas Stein, has attracted great interest. Christine Schornsheim was appointed professor of harpsichord at the Hochschule für Musik und Theater in Munich in October 2002. Plus d'information sur la personne
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Solist - hautbois
Ann-Kathrin Brüggemann
Ann-Kathrin Brüggemann was born in Hamburg. She received her diploma in baroque oboe under Michel Piquet at the Schola Cantorum Basiliensis in 1992, where she also studied recorder with Conrad Steinmann. Afterwards, she studied with Ku Ebinge in The Hague, applying herself chiefly to the study of the classical oboe and its repertoire. Ann-Kathrin Brüggemann has played with ensembles such as the Akademie für Alte Musik Berlin, Il Giardino Armonico, and others. Since August 2000 Ann-Kathrin Brüggemann has been a permanent member of the Freiburger Barockorchester. In addition to her many concert activities, she teaches at the Musikhochschule Freiburg. Plus d'information sur la personne
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Solist - violon
Gottfried von der Goltz
Gottfried von der Goltz has made a respected international name for himself as a Baroque violinist and Artistic Director of the Freiburger Barockorchester. As was common during the 18th century, he leads the FBO from the platform of the concertmaster. He also occasionally swaps the violin for the baton as, for example, in the Freiburger Barockorchester’s Beethoven Series which stretched over a period of many years. Gottfried von der Goltz made the specialist world sit up and take notice with successful CD recordings of the regrettably long-forgotten music of the Dresden Baroque and Bach’s sons. Nevertheless, he does not want to restrict himself to being a specialist in a particular repertoire. His diverse discography, ranging from the 17th century to the modern, shows instead that he is a tremendously versatile and flexible musician. In addition to his multi-layered chamber music engagements, Gottfried von der Goltz is Artistic Director of the Norsk Barokkorkesters. As a Professor, he is also a sought after teacher of Baroque and modern violin at the Hochschule für Musik in Freiburg. Plus d'information sur la personne
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Solist - violon
Anne Katharina Schreiber
Depuis 1988, Anne Katharina Schreiber est membre du Freiburger Barockorchester, avec lequel elle se produit régulièrement en soliste lors de concerts et sur CDs. En sa qualité de premier violon, elle travaille souvent en outre avec d’autres orchestres baroques (p. ex. le Balthasar-Neumann-Ensemble) et des chefs d’orchestre tels qu’Ivor Bolton, Thomas Hengelbrock et Marcus Creed. Par ailleurs, elle joue souvent du répertoire moderne avec des formations comme l’ensemble recherche. Après avoir étudié avec Rainer Kussmaul, elle a obtenu son diplôme avec les félicitations. Anne Katharina Schreiber est membre du Trio Vivente ; elle est aussi une partenaire chambriste favorite d’Anner Bylsma, Gottfried von der Goltz, Ingo Goritzki et Rainer Kussmaul pour ne citer qu’eux. Plus d'information sur la personne
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Solist - violoncelle
Kristin von der Goltz
Cellist Kristin von der Goltz studied with Christoph Henkel in Freiburg and William Pleeth in London. She was a member of the Freiburg Baroque Orchestra from 1991 to 2004. She now performs on both modern and Baroque cello, and is in demand internationally as a solo cellist for conductors such as Nikolaus Harnoncourt, Ton Koopman, Marc Minkowski, and others. She has been a member of Trio Vivente since 1992 and of the BerlinerBarockSolisten, an ensemble of the Berliner Philharmoniker, since 2006. In 2009 she was appointed Professor of Baroque Cello at the Musikhochschule Frankfurt am Main, and in 2011 at the University of Music and Performing Arts Munich. Plus d'information sur la personne
Critiques
Wollte man die ganze Fülle kostbarer Details der musikalischen Umsetzung verdeutlichen, würde dieser Text ausufern. ... Eine Wohltat!
Florian Schreiner, klassik.com, 15.05.2017
L’Orchestre Baroque de Freiburg […] excelle en puissance et en sensibilité.
Jean Borel, MAG-MUSIQUE, 3/2014
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