Georg Friedrich Händel Messiah
HWV 56, 1742
- Effectif:
- Soli SATB, Coro S(S)ATB, 2 Ob, Fg, 2 Tr, Timp, 2 Vl, Va, Bc
- Chercher les œuvres avec un effectif similaire
- Langue:
- anglais/allemand
- Durée:
- 144 min
- Niveau de difficulté:
- 1 2 3 4 5
Georg Friedrich Händel compte comme le premier et le plus important représentant de l'Angleterre pour le genre de l'oratorio. Le Messie surtout est considéré comme l'exemple de musique sacrée par excellence. Et Händel est chantant et fait plaisir à tout choriste. Mais dans certaines parties, on ne plaisante plus. « And he shall purify » n'est qu'une des pièces qui doivent d'abord être en place avant de pouvoir s'abandonner totalement à cette magnifique musique.
Il suffit de s'exercer. Partout. A tout moment.
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- 21. Chorus: Surely He hath borne our griefs
- 39. Halleluja
- 43. Air (Basso): The trumpet shall sound
- 7. And he shall purify
- 15. Chorus: Glory to God in the highest
- 1. Sinfony
- 2. Accompagnato (Tenore): Comfort ye my people
- 3. Air (Tenore): Ev’ry valley shall be exalted
- 4. Chorus: And the glory of the Lord
- 5. Accompagnato (Basso): Thus saith the Lord
- 6. Air (Alto): But who may abide
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion
- 9. Accompagnato (Basso): For behold, darkness shall cover the earth
- 10. Air (Basso): The people that walked in darkness
- 11. Chorus: For unto us a child is born
- 12. Pifa, Recitative (Soprano): There were shepherds abiding in the field
- 13. Accompagnato (Soprano): And lo, the angel of the Lord
- Recitative (Soprano): And the angel said unto them, 14. Accompagnato (Soprano): And suddenly there was with the angel
- 16. Air (Soprano): Rejoice greatly
- Recitative (Alto): Then shall the eyes of the blind, 17. Air (Alto, Soprano): He shall feed His flock
- 18. Chorus: His yoke is easy
- 19. Chorus: Behold the Lamb of God
- 20. Air (Alto): He was despised
- 22. Chorus: And with His stripes we are healed
- 23. Chorus: All we, like sheep
- 24. Accompagnato (Tenore): All they that see Him
- 25. Chorus: He trusted in God that He would deliver Him
- 26. Accompagnato (Tenore): Thy rebuke hath broken His heart
- 27. Arioso (Tenore): Behold, and see, if there be any sorrow
- 28. Accompagnato (Tenore): He was cut off out of the land of the living
- 29. Air (Tenore): But Thou didst not leave His soul in hell
- 30. Chorus: Lift up your heads
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him
- 32. Air (Alto): Thou art gone up on high
- 33. Chorus: The Lord gave the word
- 34. Air (Soprano): How beautiful are the feet of them
- 35. Chorus: Their sound is gone out
- 36. Air (Basso): Why do the nations
- 37. Chorus: Let us break their bonds asunder
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them
- 40. Air (Soprano): I know that my Redeemer liveth
- 41. Chorus: Since by man came death
- 42. Accompagnato (Basso): Behold, I tell you a mystery
- Recitative (Alto): Then shall be brought to pass, 44. Duet (Alto, Tenore): O death, where is thy sting?
- 45. Chorus: But thanks be to God
- 46. Air (Soprano): If God be for us
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen
S`exercer
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Aides à l'apprentissage
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Aides à l'apprentissage voix soprano
- 4. Chorus: And the glory of the Lord (Choir Coach)
- 6. Air (Alto): But who may abide (Choir Coach)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach)
- 11. Chorus: For unto us a child is born (Choir Coach)
- 15. Chorus: Glory to God in the highest (Choir Coach)
- 18. Chorus: His yoke is easy (Choir Coach)
- 19. Chorus: Behold the Lamb of God (Choir Coach)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach)
- 22. Chorus: And with His stripes we are healed (Choir Coach)
- 23. Chorus: All we, like sheep (Choir Coach)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach)
- 30. Chorus: Lift up your heads (Choir Coach, soprano 1)
- 30. Chorus: Lift up your heads (Choir Coach, soprano 2)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach)
- 33. Chorus: The Lord gave the word (Choir Coach)
- 35. Chorus: Their sound is gone out (Choir Coach)
- 37. Chorus: Let us break their bonds asunder (Choir Coach)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach)
- 41. Chorus: Since by man came death (Choir Coach)
- 45. Chorus: But thanks be to God (Choir Coach)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, soprano 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, soprano 2)
- 4. Chorus: And the glory of the Lord (Choir Coach, Slow mode)
- 6. Air (Alto): But who may abide (Choir Coach, Slow mode)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach, Slow mode)
- 11. Chorus: For unto us a child is born (Choir Coach, Slow mode)
- 15. Chorus: Glory to God in the highest (Choir Coach, Slow mode)
- 18. Chorus: His yoke is easy (Choir Coach, Slow mode)
- 19. Chorus: Behold the Lamb of God (Choir Coach, Slow mode)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach, Slow mode)
- 22. Chorus: And with His stripes we are healed (Choir Coach, Slow mode)
- 23. Chorus: All we, like sheep (Choir Coach, Slow mode)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach, Slow mode)
- 30. Chorus: Lift up your heads (Choir Coach, Slow mode, soprano 1)
- 30. Chorus: Lift up your heads (Choir Coach, Slow mode, soprano 2)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach, Slow mode)
- 33. Chorus: The Lord gave the word (Choir Coach, Slow mode)
- 35. Chorus: Their sound is gone out (Choir Coach, Slow mode)
- 37. Chorus: Let us break their bonds asunder (Choir Coach, Slow mode)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach, Slow mode)
- 41. Chorus: Since by man came death (Choir Coach, Slow mode)
- 45. Chorus: But thanks be to God (Choir Coach, Slow mode)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, soprano 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, soprano 2)
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Aides à l'apprentissage voix alto
- 4. Chorus: And the glory of the Lord (Choir Coach)
- 6. Air (Alto): But who may abide (Choir Coach)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach)
- 11. Chorus: For unto us a child is born (Choir Coach)
- 15. Chorus: Glory to God in the highest (Choir Coach)
- 18. Chorus: His yoke is easy (Choir Coach)
- 19. Chorus: Behold the Lamb of God (Choir Coach)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach)
- 22. Chorus: And with His stripes we are healed (Choir Coach)
- 23. Chorus: All we, like sheep (Choir Coach)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach)
- 30. Chorus: Lift up your heads (Choir Coach)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach)
- 33. Chorus: The Lord gave the word (Choir Coach)
- 35. Chorus: Their sound is gone out (Choir Coach)
- 37. Chorus: Let us break their bonds asunder (Choir Coach)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach)
- 41. Chorus: Since by man came death (Choir Coach)
- 45. Chorus: But thanks be to God (Choir Coach)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Alto 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Alto 2)
- 4. Chorus: And the glory of the Lord (Choir Coach, Slow mode)
- 6. Air (Alto): But who may abide (Choir Coach, Slow mode)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach, Slow mode)
- 11. Chorus: For unto us a child is born (Choir Coach, Slow mode)
- 15. Chorus: Glory to God in the highest (Choir Coach, Slow mode)
- 18. Chorus: His yoke is easy (Choir Coach, Slow mode)
- 19. Chorus: Behold the Lamb of God (Choir Coach, Slow mode)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach, Slow mode)
- 22. Chorus: And with His stripes we are healed (Choir Coach, Slow mode)
- 23. Chorus: All we, like sheep (Choir Coach, Slow mode)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach, Slow mode)
- 30. Chorus: Lift up your heads (Choir Coach, Slow mode)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach, Slow mode)
- 33. Chorus: The Lord gave the word (Choir Coach, Slow mode)
- 35. Chorus: Their sound is gone out (Choir Coach, Slow mode)
- 37. Chorus: Let us break their bonds asunder (Choir Coach, Slow mode)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach, Slow mode)
- 41. Chorus: Since by man came death (Choir Coach, Slow mode)
- 45. Chorus: But thanks be to God (Choir Coach, Slow mode)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Alto 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Alto 2)
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Aides à l'apprentissage voix tenore
- 4. Chorus: And the glory of the Lord (Choir Coach)
- 6. Air (Alto): But who may abide (Choir Coach)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach)
- 11. Chorus: For unto us a child is born (Choir Coach)
- 15. Chorus: Glory to God in the highest (Choir Coach)
- 18. Chorus: His yoke is easy (Choir Coach)
- 19. Chorus: Behold the Lamb of God (Choir Coach)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach)
- 22. Chorus: And with His stripes we are healed (Choir Coach)
- 23. Chorus: All we, like sheep (Choir Coach)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach)
- 30. Chorus: Lift up your heads (Choir Coach)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach)
- 33. Chorus: The Lord gave the word (Choir Coach)
- 35. Chorus: Their sound is gone out (Choir Coach)
- 37. Chorus: Let us break their bonds asunder (Choir Coach)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach)
- 41. Chorus: Since by man came death (Choir Coach)
- 45. Chorus: But thanks be to God (Choir Coach)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Tenore 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Tenore 2)
- 4. Chorus: And the glory of the Lord (Choir Coach, Slow mode)
- 6. Air (Alto): But who may abide (Choir Coach, Slow mode)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach, Slow mode)
- 11. Chorus: For unto us a child is born (Choir Coach, Slow mode)
- 15. Chorus: Glory to God in the highest (Choir Coach, Slow mode)
- 18. Chorus: His yoke is easy (Choir Coach, Slow mode)
- 19. Chorus: Behold the Lamb of God (Choir Coach, Slow mode)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach, Slow mode)
- 22. Chorus: And with His stripes we are healed (Choir Coach, Slow mode)
- 23. Chorus: All we, like sheep (Choir Coach, Slow mode)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach, Slow mode)
- 30. Chorus: Lift up your heads (Choir Coach, Slow mode)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach, Slow mode)
- 33. Chorus: The Lord gave the word (Choir Coach, Slow mode)
- 35. Chorus: Their sound is gone out (Choir Coach, Slow mode)
- 37. Chorus: Let us break their bonds asunder (Choir Coach, Slow mode)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach, Slow mode)
- 41. Chorus: Since by man came death (Choir Coach, Slow mode)
- 45. Chorus: But thanks be to God (Choir Coach, Slow mode)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Tenore 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Tenore 2)
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Aides à l'apprentissage voix basse
- 4. Chorus: And the glory of the Lord (Choir Coach)
- 6. Air (Alto): But who may abide (Choir Coach)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach)
- 11. Chorus: For unto us a child is born (Choir Coach)
- 15. Chorus: Glory to God in the highest (Choir Coach)
- 18. Chorus: His yoke is easy (Choir Coach)
- 19. Chorus: Behold the Lamb of God (Choir Coach)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach)
- 22. Chorus: And with His stripes we are healed (Choir Coach)
- 23. Chorus: All we, like sheep (Choir Coach)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach)
- 30. Chorus: Lift up your heads (Choir Coach)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach)
- 33. Chorus: The Lord gave the word (Choir Coach)
- 35. Chorus: Their sound is gone out (Choir Coach)
- 37. Chorus: Let us break their bonds asunder (Choir Coach)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach)
- 41. Chorus: Since by man came death (Choir Coach)
- 45. Chorus: But thanks be to God (Choir Coach)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Basse 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Basse 2)
- 4. Chorus: And the glory of the Lord (Choir Coach, Slow mode)
- 6. Air (Alto): But who may abide (Choir Coach, Slow mode)
- Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion (Choir Coach, Slow mode)
- 11. Chorus: For unto us a child is born (Choir Coach, Slow mode)
- 15. Chorus: Glory to God in the highest (Choir Coach, Slow mode)
- 18. Chorus: His yoke is easy (Choir Coach, Slow mode)
- 19. Chorus: Behold the Lamb of God (Choir Coach, Slow mode)
- 21. Chorus: Surely He hath borne our griefs (Choir Coach, Slow mode)
- 22. Chorus: And with His stripes we are healed (Choir Coach, Slow mode)
- 23. Chorus: All we, like sheep (Choir Coach, Slow mode)
- 25. Chorus: He trusted in God that He would deliver Him (Choir Coach, Slow mode)
- 30. Chorus: Lift up your heads (Choir Coach, Slow mode)
- Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him (Choir Coach, Slow mode)
- 33. Chorus: The Lord gave the word (Choir Coach, Slow mode)
- 35. Chorus: Their sound is gone out (Choir Coach, Slow mode)
- 37. Chorus: Let us break their bonds asunder (Choir Coach, Slow mode)
- Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them (Choir Coach, Slow mode)
- 41. Chorus: Since by man came death (Choir Coach, Slow mode)
- 45. Chorus: But thanks be to God (Choir Coach, Slow mode)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Basse 1)
- 47. Chorus: Worthy is the Lamb that was slain, 48. Chorus: Amen (Choir Coach, Slow mode, Basse 2)
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Compléments
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Texte numérique (sans notes), licence d'impression incluse, fichier html, paroles, traduction allemandefichier html, paroles, traduction allemande (Extrait)Erster Teil
1. Sinfonia
2. Accompagnato (Tenor) Tröstet, tröstet (ihr) mein Volk,
sagt eur Gott,
redet freundlich mit Jerusalem
und rufet ihr zu,
dass ihr Frondienst ein Ende hat,
dass ihre Missetat vergeben.
Vernehmt die Stimme des Rufers in der Wüste:
bereitet dem Herrn den Weg
und bahnt in der Steppe
den Weg unserm Gott.
Jes 40,1–33. Arie (Tenor) Alle Täler sollen sich heben,
und Berg und Hügel werden flach.
Was krumm ist, werde grad
machet ebene Bahn im Hügelland.
Jes 40,44. Chor
...
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Texte numérique (sans notes), licence d'impression incluse, fichier html, paroles, originalfichier html, paroles, original (Extrait)Part the first
1. Sinfony
2. Accompagnato (Tenore) Comfort ye, comfort ye my people,
saith your God;
speak ye comfortably to Jerusalem,
and cry unto her,
that her warfare is accomplished,
that her iniquity is pardoned.
The voice of him that crieth in the wilderness,
prepare ye the way of the Lord,
make straight in the desert
a highway for our God.
Isa. 40:1–33. Air (Tenore) Ev’ry valley shall be exalted,
4. Chorus And the glory of the Lord shall be revealed,
and ev’ry mountain and hill made low,
the crooked straight
and the rough places plain.
Isa. 40:4
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Texte numérique (sans notes), licence d'impression incluse, fichier html, Texte introductif, françaisfichier html, Texte introductif, français (Extrait)Texte du livret du CD Carus 83.219Magda Marx-Weber
Traduction: Sylvie CoquillatL’idée de la composition du Messie est initiée par Charles Jennens, le librettiste. Il écrit en juillet 1741 à un ami qu’il espère pouvoir inciter Haendel à composer un nouvel oratorio biblique (« to set another Scripture Collection I have made for him »). Le 22 août 1741, Haendel commence la composition qu’il achève dès le 14 septembre. Le vice-roi irlandais l’invite à donner plusieurs concerts pendant la saison d’hiver 1741/42 à Dublin. Il se rend à Dublin avec quelques chanteurs seulement, sans connaître les conditions du lieu. Dès la première représentation extrêmement réussie de l’œuvre, le 13 avril 1742, il doit adapter quelques airs aux capacités des chanteurs irlandais. Comme il entreprend des modifications de ce genre pour des représentations ultérieures aussi, toute une série d’arias a été conservée dans plusieurs versions.
...
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Texte numérique (sans notes), licence d'impression incluse, fichier html, Texte introductif, en anglaisfichier html, Texte introductif, en anglais (Extrait)Text from the CD Carus 83.219Magda Marx-Weber
Translation: Elizabeth RobinsonThe stimulus for the composition of Messiah came from the librettist Charles Jennens. He wrote in July 1741 to a friend, that he hoped to be able to persuade Handel to compose a new biblical oratorio (“to set another Scripture Collection I have made for him”). Handel began work on the composition on 22 August 1741 and completed it on 14 September. He had received an invitation from the Irish viceroy to give several concerts in the 1741–42 winter season in Dublin. He travelled to Dublin with just a few of his own singers, without prior knowledge of the conditions there. Meanwhile, for the extremely successful first performance of the work on 13 April 1742, he had to adapt some of the arias to suit the abilities of the Irish singers. Since he also made alterations of this kind for later performances, a series of arias survive in several versions.
...
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Texte numérique (sans notes), licence d'impression incluse, fichier html, Texte introductif, en allemandfichier html, Texte introductif, en allemand (Extrait)Booklet-Text der CD Carus 83.219Magda Marx-Weber
Die Anregung zur Komposition des Messiah ging von dem Librettisten Charles Jennens aus. Dieser schrieb im Juli 1741 an einen Freund, er hoffe Händel dazu bewegen zu können, ein neues biblisches Oratorium zu komponieren („to set another Scripture Collection I have made for him“). Am 22. August 1741 begann Händel mit der Komposition, die er bereits am 14. September abschloss. Er hatte eine Einladung des irischen Vizekönigs erhalten, in der Wintersaison 1741/42 in Dublin mehrere Konzerte zu geben. Mit nur wenigen eigenen Sängern reiste er nach Dublin, ohne die dortigen Bedingungen zu kennen. Schon für die überaus erfolgreiche Erstaufführung des Werks am 13. April 1742 musste er einige Arien den Fähigkeiten der irischen Sänger anpassen. Da er derartige Veränderungen auch für spätere Aufführungen vornahm, sind eine Reihe von Arien in mehreren Fassungen überliefert.
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Sommaire
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Compositeur
Georg Friedrich Händel
| 1685-1759Georg Friedrich Händel a démontré très tôt ses capacités de composition universelle exceptionnelles. Après s'être installé à Londres en 1712, il y créa - nommé Composer of Musick for His Majesty's Chapel Royal en 1723 - de nombreux chefs-d'œuvre pour la cour royale ainsi que ses grandes séries d'opéras : pendant des années, il connut des succès triomphants avec des opéras chantés par des interprètes d'exception ou avec des sérénades, plus tard aussi avec des oratorios comme "Saul" ou "Israel in Egypt". Au fil des années, la renommée de Haendel s'est étendue bien au-delà de son lieu de travail ; certaines de ses œuvres chorales, notamment le "Messiah", disposent d'une tradition d'exécution qui ne s'est jamais démentie et sont chantées par des chœurs du monde entier. Plus d'information sur la personne
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Parolier/Librettiste
Charles Jennens
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Traducteur
Magda Marx-Weber
| 1941-2017
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