Georg Friedrich Händel Te Deum for the victory of Dettingen
Te Deum de Dettingen HWV 283, 1743
- Effectif:
- Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc
- Chercher les œuvres avec un effectif similaire
- Langue:
- anglais/allemand
- Durée:
- 38 min
En 1743, le roi George II conduit lui-même l'armée qui vainquit l'armée française à Dettingen am Main. Händel, compositeur de la cour anglaise depuis 1723, écrivit à cette occasion un solennel « Te Deum », le chant de louange traditionnel fêtant une guérison ou le retour de bataille d'un vainqueur.
Le Te Deum de Dettingen est un exemple brillant de la justesse avec laquelle Händel trouve le ton requis par ce genre. Le caractère festif et majestueux de cette pièce officielle est rendu par l'emploi massif de timbales et de trompettes. Des mouvements plus doux et sérieux complètent magnifiquement cette oeuvre.
Cette édition est basée sur le manuscrit conservé à Londres, avec lequel Händel a probablement dirigé la création. Cette édition présente par ailleurs une version alternative du choeur « Make them to be number'd », contenue dans le manuscrit, à l'écriture plus dense et plus rigoureuse.
Consulter
Ecouter
(11)
- 1. We praise Thee, o God (Chorus)
- 2. All the earth doth worship Thee (Soli and Chorus)
- 3. To Thee all angels cry aloud (Chorus)
- 4. To Thee Cherubim and Seraphim (Chorus)
- 5. The glorious company of the apostles (Chorus)
- 6. Thou art the King of Glory (Aria and Chorus)
- 8. When Thou hadst overcome (Chorus)
- 10. We therefore pray Thee (Fanfare and Chorus)
- 11. Make them to be number’d (Chorus)
- 12. Day by day we magnify Thee (Chorus)
- 14. O Lord, in Thee have I trusted (Solo and Chorus)
S`exercer
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Aides à l'apprentissage
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Aides à l'apprentissage voix soprano
- 1. We praise Thee, o God (Chorus) (Choir Coach, soprano 1)
- 1. We praise Thee, o God (Chorus) (Choir Coach, Slow mode, soprano 1)
- 1. We praise Thee, o God (Chorus) (Choir Coach, soprano 2)
- 1. We praise Thee, o God (Chorus) (Choir Coach, Slow mode, soprano 2)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, soprano 1)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, Slow mode, soprano 1)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, soprano 2)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, Slow mode, soprano 2)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach, Slow mode)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, soprano 1)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, Slow mode, soprano 1)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, soprano 2)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, Slow mode, soprano 2)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, soprano 1)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, Slow mode, soprano 1)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, soprano 2)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, Slow mode, soprano 2)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, soprano 1)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, Slow mode, soprano 1)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, soprano 2)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, Slow mode, soprano 2)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, soprano 1)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, Slow mode, soprano 1)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, soprano 2)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, Slow mode, soprano 2)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, soprano 1)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, Slow mode, soprano 1)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, soprano 2)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, Slow mode, soprano 2)
- 11. Make them to be number’d (Chorus) (Choir Coach, soprano 1)
- 11. Make them to be number’d (Chorus) (Choir Coach, Slow mode, soprano 1)
- 11. Make them to be number’d (Chorus) (Choir Coach, soprano 2)
- 11. Make them to be number’d (Chorus) (Choir Coach, Slow mode, soprano 2)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, soprano 1)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, Slow mode, soprano 1)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, soprano 2)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, Slow mode, soprano 2)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, soprano 1)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode, soprano 1)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, soprano 2)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode, soprano 2)
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Aides à l'apprentissage voix alto
- 1. We praise Thee, o God (Chorus) (Choir Coach)
- 1. We praise Thee, o God (Chorus) (Choir Coach, Slow mode)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, Slow mode)
- 5. The glorious company of the apostles (Chorus) (Choir Coach)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, Slow mode)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, Slow mode)
- 8. When Thou hadst overcome (Chorus) (Choir Coach)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, Slow mode)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, Slow mode)
- 11. Make them to be number’d (Chorus) (Choir Coach)
- 11. Make them to be number’d (Chorus) (Choir Coach, Slow mode)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, Slow mode)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode)
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Aides à l'apprentissage voix tenore
- 1. We praise Thee, o God (Chorus) (Choir Coach)
- 1. We praise Thee, o God (Chorus) (Choir Coach, Slow mode)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, Slow mode)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach, Slow mode)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, Slow mode)
- 5. The glorious company of the apostles (Chorus) (Choir Coach)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, Slow mode)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, Slow mode)
- 8. When Thou hadst overcome (Chorus) (Choir Coach)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, Slow mode)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, Slow mode)
- 11. Make them to be number’d (Chorus) (Choir Coach)
- 11. Make them to be number’d (Chorus) (Choir Coach, Slow mode)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, Slow mode)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode)
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Aides à l'apprentissage voix basse
- 1. We praise Thee, o God (Chorus) (Choir Coach)
- 1. We praise Thee, o God (Chorus) (Choir Coach, Slow mode)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach)
- 2. All the earth doth worship Thee (Soli and Chorus) (Choir Coach, Slow mode)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach)
- 3. To Thee all angels cry aloud (Chorus) (Choir Coach, Slow mode)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach)
- 4. To Thee Cherubim and Seraphim (Chorus) (Choir Coach, Slow mode)
- 5. The glorious company of the apostles (Chorus) (Choir Coach)
- 5. The glorious company of the apostles (Chorus) (Choir Coach, Slow mode)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach)
- 6. Thou art the King of Glory (Aria and Chorus) (Choir Coach, Slow mode)
- 8. When Thou hadst overcome (Chorus) (Choir Coach)
- 8. When Thou hadst overcome (Chorus) (Choir Coach, Slow mode)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach)
- 10. We therefore pray Thee (Fanfare and Chorus) (Choir Coach, Slow mode)
- 11. Make them to be number’d (Chorus) (Choir Coach)
- 11. Make them to be number’d (Chorus) (Choir Coach, Slow mode)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach)
- 12. Day by day we magnify Thee (Chorus) (Choir Coach, Slow mode)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach)
- 14. O Lord, in Thee have I trusted (Solo and Chorus) (Choir Coach, Slow mode)
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Compléments
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Texte numérique (sans notes), licence d'impression incluse, fichier html, paroles, traduction allemandefichier html, paroles, traduction allemande (Extrait)1 ChorusWir preisen dich, o Gott,
2 Soli and Chorus (Soli AT)
wir erkennen dich als Herrn der Welt.Alle Welt verehret dich,
3 Chorus
den Vater ewig allmächtig.Laut singet dir der Engel Chor;
4 Chorus
dir singt der Himmel und sein mächtig Heer.Die Cherubim und Seraphim,
5 Chorus
von Ewigkeit zu Ewigkeit lobsingen sie vor dir:
Heilig, heilig, heilig, Herr Gott Zebaoth!
Voll sind Erd und Himmel der Herrlichkeit deines Ruhmes.Der hochgelobte Chor der Apostel preiset dich;
die hochgepriesene Schar der Propheten preiset dich;
die große Heerschar der Märtyrer preiset dich.
Die heil’ge Kirche durch die ganze Welt, sie bekennet dich,
den Vater unermesslicher Herrlichkeit,...
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Texte numérique (sans notes), licence d'impression incluse, fichier html, paroles, originalfichier html, paroles, original (Extrait)1 ChorusWe praise Thee, o God;
2 Soli and Chorus (Soli AT)
we acknowledge Thee to be the Lord.All the earth doth worship Thee,
3 Chorus
the Father everlasting.To Thee all angels cry aloud,
4 Chorus
the heav’ns and all the pow’rs therein.To Thee Cherubim and Seraphim continually do cry:
5 Chorus
Holy, holy, holy, Lord God of Sabaoth!
Heav’n and earth are full of the majesty of Thy glory.The glorious company of the apostles praise Thee;
6 Aria and Chorus (Solo B)
the goodly fellowship of the prophets praise Thee;
the noble army of martyrs praise Thee.
The holy church throughout all the world doth acknowledge Thee,
the Father of an infinite majesty;
Thine honourable, true, and only Son;
also the Holy Ghost, the Comforter.Thou art the King of glory, o Christ.
7 Aria (Solo B)
Thou art the everlasting Son of the Father.When Thou tookest upon Thee to deliver man,
8 Chorus
Thou didst not abhor the Virgin’s womb.When Thou hadst overcome the sharpness of death;
9 Trio
Thou didst open the kingdom of heaven to all believers....
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Texte numérique (sans notes), licence d'impression incluse, fichier html, Texte introductif, en anglaisfichier html, Texte introductif, en anglais (Extrait)Abridged foreword of the Edition Carus 55.283Benedikt Poensgen
Translation: Elizabeth RobinsonOn 27 June 1743, the British King George II personally led an army of British, Hanoverians and Austrians who besieged the French at Dettingen am Main during the Austrian War of Succession. It was the last time in history that a British king himself led troops into battle. The news of the victory at Dettingen was enthusiastically received in England.2 As a result, George Frideric Handel, composer at the English court from 1723, began work on a specially ceremonial Te Deum on 17 July 1743 which he probably completed at the end of July. When George II finally returned to England in November 1743, a triumphant reception was prepared for him, the like of which had not taken place since his coronation. The work, henceforth known as the “Dettingen Te Deum,” was performed on the morning of 27 November 1743 in the presence of the King during the Sunday service in the Chapel of St. James’s Palace in London.
The Te Deum was performed with large forces. Handel probably played and conducted from the autograph score. In it, he noted the names of some of the singers and named the two bass soloists, “Mr.
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Texte numérique (sans notes), licence d'impression incluse, fichier html, Texte introductif, en allemandfichier html, Texte introductif, en allemand (Extrait)Gekürztes Vorwort der Ausgabe Carus 55.283Benedikt Poensgen
Am 27. Juni 1743 führte der englische König George II höchstpersönlich eine Armee bestehend aus Briten, Hannoveranern und Österreichern an, die während des Österreichischen Erbfolgekrieges bei Dettingen am Main die Franzosen besiegte. George II. war kein glänzender Stratege, aber ein tapferer und mitreißender Troupier. Es war das letzte Mal in der Geschichte, dass ein englischer König selbst Truppen ins Gefecht führte. Trotz einer ungünstigen Ausgangslage wurden die Franzosen geschlagen und zur Flucht gezwungen. Die Nachricht des Sieges von Dettingen löste in England Begeisterung aus, vor allem der mutige Einsatz des Königs wurde allgemein gewürdigt. Georg Friedrich Händel, seit 1723 englischer Hofkomponist, begann darauf am 17. Juli 1743 mit der Arbeit an einem besonders feierlichen Te Deum, dem traditionellen Lobgesang auf die Genesung oder Rückkehr eines Herrschers aus der Schlacht, das er vermutlich Ende Juli abschloss. Als George II schließlich im November 1743 nach England zurückkehrte, wurde ihm ein triumphaler Empfang bereitet, wie er seit seiner Krönung nicht mehr stattgefunden hatte. Das fortan Dettinger Te Deum genannte Werk erklang am
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Sommaire
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Compositeur
Georg Friedrich Händel
| 1685-1759Georg Friedrich Händel a démontré très tôt ses capacités de composition universelle exceptionnelles. Après s'être installé à Londres en 1712, il y créa - nommé Composer of Musick for His Majesty's Chapel Royal en 1723 - de nombreux chefs-d'œuvre pour la cour royale ainsi que ses grandes séries d'opéras : pendant des années, il connut des succès triomphants avec des opéras chantés par des interprètes d'exception ou avec des sérénades, plus tard aussi avec des oratorios comme "Saul" ou "Israel in Egypt". Au fil des années, la renommée de Haendel s'est étendue bien au-delà de son lieu de travail ; certaines de ses œuvres chorales, notamment le "Messiah", disposent d'une tradition d'exécution qui ne s'est jamais démentie et sont chantées par des chœurs du monde entier. Plus d'information sur la personne
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Éditeur
Benedikt Poensgen
Critiques
Die vorliegende [...] erste kritische Ausgabe basiert auf dem in London überlieferten Autograph zur Erstaufführung und bringt zudem erstmals die ursprünglische Schlussfassung des Chores Make them to be numbere'd, in der Händel eine dichtere und stringentere Satzführung anstrebt. Sie beinhaltet in gewohnt guter Carus-Qualität neben dem Notentext ein ausführliches Vorwort in drei Sprachen, vier Abbildungen aus der autographen Partitur und den 6-seitigen Kritischen Bericht mit Informationen zur Quellenlage, Edition und Lesarten.
Toccata, Alte Musik aktuell, Mai-Juni 2012
Ein informatives Vorwort, sowie ein umfangreicher kritischer Bericht ergänzen diese erste kritische Ausgabe des brillanten Meisterwerkes in gewohnter Carus-Qualität.
Singende Kirche, Heft 3, 2011
Der Carus-Verlag hat sich auch mit dieser Publikation der exzellenten Herausgabe von kirchenmusikalischen Monumentalwerken verschrieben. Hier darf das „Dettinger Te Deum” von G. F. Händel nicht fehlen. Ein umfangreiches Vorwort, inklusive diverser Abbildungen aus dem Autograph, sowie aufführungspraktische Hinweise und kritischem Bericht lassen keine Wünsche offen und machen Lust auf eine Aufführung dieses bekannten Werkes. Sehr empfehlenswert!
KIBA – Kirchenmusik im Bistum Aachen, Mai 2011
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