Johannes Brahms

1833 – 1897

A propos de la personne

Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music.

Editions

195 Articles

Johannes Brahms: Why?

from: Four Quartets op. 92

op. op. 92,4

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Johannes Brahms: Da unten im Tale

extrait de : Douze chants populaires allemands

WoO 35,5

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Johannes Brahms: Da unten im Tale

extrait de : Douze chants populaires allemands

WoO 35,5

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Johannes Brahms: Psaume 13

Lord, how long wilt thou forget me and forsake me?

op. 27

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Johannes Brahms: Le salut anglais

extrait de : Chants mariaux

op. 22, 1

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Johannes Brahms: The moonlight gleams round me

extrait de : Trois quatuors

op. 31, 3

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Johannes Brahms: Des Abends kann ich nicht schlafen gehen

extrait de : Douze chants populaires allemands

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