Johannes Brahms

1833 – 1897

A propos de la personne

Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music.

Editions

203 Articles

Johannes Brahms: O charming night!

from: Four Quartets op. 92

op. 92,1

Partition

Johannes Brahms: O süßer Mai!

de : Lieder und Romanzen op. 93a

op. 93a,3

Partition

Johannes Brahms: Regina coeli (Erfreue dich, Himmelsfürstin)

extrait de : Trois choeurs sacrés

op. 37, 3

Partition

Johannes Brahms: Rhapsody

(Alto Rhapsody)

op. 53

Partition

Johannes Brahms: Romarin

extrait de : Sept lieder

op. 62, 1

Partition

Johannes Brahms / Russell Adrian (arr.): Schicksalslied

Adaptation pour orchestre de chambre (arr. R. Adrian)

op. 54

Partition

Johannes Brahms: La faucheuse

extrait de : Vingt chants populaires allemands

WoO 38 Nr. 5

Partition

Produits par page: