Heinrich Schütz Kleine geistliche Konzerte II. 31 geistliche Konzerte für 1-5 Singstimmen und Bc (Complete edition, vol. 10)
Stuttgart Schütz Edition
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The Kleine geistliche Konzerte by Heinrich Schütz represent solo vocal music right at the height of its time, the result of his (second) journey to Italy and his encounter with Claudio Monteverdi’s musico-dramatic works. Part I of the Kleine Geistliche Konzerte, published in 1636, can already by seen as a pattern book of compositions, and based on their structure Schütz was then able to set more extensive pieces. This applies even more impressively to the second book because of its often daring harmonies and more intensive declamation; the book was issued in 1639 and is now newly published in the Stuttgart Schütz Edition in the original keys and with the original order of pieces newly recreated according to the first printed edition.
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(30)
- I will praise god the Lord at ev'ry time
- Come now, holy Spirit
- Habe deine Lust an dem Herren
- Drop down now, heavens
- The annunciation
- God's own being was made flesh
- On this day Jesus Christ is born
- To God on high alone be praised
- Ich liege und schlafe
- Master, though laboring all the night
- Bone Jesu, verbum Patris
- Wann unsre Augen schlafen ein
- With God for us
- Was hast du verwirket
- O Jesu, nomen dulce
- Aufer immensam, Deus, aufer iram
- O be joyful in the Lord
- I bow and bend the knee unto the father
- Fear of the Lord God is the source of wisdom
- La voix du Seigneur
- Quemadmodum desiderat cervus
- Ich ruf zu dir, Herr Jesu Christ
- What has browed you down, o my spirit
- Lord, my trust is in thee
- Lord, if I have thee only
- Who then can part us from the love God gives us
- O misericordissime Jesu
- I have been a young man and now am aged
- The soul of Christ now sanctify me
- I am resurrection and new being
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Compositeur
Heinrich Schütz
| 1585-1672Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions. Plus d'information sur la personne
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Éditeur
Michael Heinemann
| 1959
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