German Magnificat. "Meine Seele erhebt den Herrn"
Magnificat. Extrait de : Psaume 119 du Roi et Prophète David en 11 morceaux (Opus ultimum) SWV 494, 1671
Following Heinrich Spitta’s publication of Heinrich Schütz’s double-choir Deutsches Magnificat in a new edition in 1926, this work has gone on to become one of Schütz’s most popular works. This is due to its successful synthesis of high compositional skill and catchiness. The "tone" of the piece is much shaped by the predominance of triple meter. This gives the piece a rhythmic lightness, but also brings a harmonic straightforwardness with it. Schütz made the Deutsches Magnificat into almost a compendium of his text-based compositions, in which scarcely any opportunity for vivid portrayal of the text passes him by. Schütz included the Deutsches Magnificat and a setting of Psalm 100 as an appendix in the original manuscript of his Opus ultimum, the 119th Psalm ("Schwanengesang"), but two vocal parts from this are now missing. In this edition they have been added by the editor Werner Breig.
Acheter
Informations complémentaires sur l'œuvre
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Compositeur
Heinrich Schütz
| 1585-1672Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions. Plus d'information sur la personne
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Basse continue réalisée
Paul Horn
| 1922-2016Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Plus d'information sur la personne
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Traducteur
Margaret Schubert