Joseph Haydn: Nikolai Mass - Sheet music | Carus-Verlag

Joseph Haydn Nikolai Mass

Nicolai-Messe Hob. XXII:6, 1772

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Haydn wrote the Missa Sancti Nicolai in 1772, probably for the name day of prince Nicolaus Esterházy. This work is on a larger scale than the other missae breves, and in the orchestra two oboes and two horns join the strings. At the very beginning of the Kyrie the gentle, pastoral character which distinguishes this work is established. Haydn reprises the music of the Kyrie in the Dona nobis pacem to round off the work.

 

The full score contains at the same time the organ part.

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full score Carus 40.605/00, ISMN 979-0-007-07295-7 72 pages, DIN A4, paperback
available
29,00 € / copy
vocal score Carus 40.605/03, ISMN 979-0-007-07296-4 44 pages, paperback
available
12,50 € / copy
choral score Carus 40.605/05, ISMN 979-0-007-07297-1 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 5,80 € / copy
from 40 copies 5,22 € / copy
from 60 copies 4,64 € / copy
study score Carus 40.605/07, ISMN 979-0-007-07383-1 72 pages, DIN A5, paperback
available
8,50 € / copy
set of parts, complete orchestral parts Carus 40.605/19, ISMN 979-0-007-13322-1 23 x 32 cm, without cover
available
124,00 € / copy
  • 1 x set of parts, harmony parts, oboe 1, oboe 2, horn 1, horn 2 (40.605/09)
    each: 15,95 €
    6 x individual part, violin 1 (40.605/11)
    each: 6,00 €
    5 x individual part, violin 2 (40.605/12)
    each: 6,00 €
    4 x individual part, viola (40.605/13)
    each: 6,00 €
    4 x individual part, violoncello/double bass (40.605/14)
    each: 6,00 €
    1 x individual part, organ (40.605/49)
    each: 16,20 €
individual part, organ Carus 40.605/49, ISMN 979-0-007-24513-9 20 pages, 23 x 32 cm, without cover
available
16,20 € / copy
full score digital (download), pdf file Carus 40.605/00-010-000, ISMN 979-0-007-26054-5 72 pages, DIN A4
available
26,10 € / copy
Additional product information
  • As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a Stabat Mater, and the different versions of the Sieben Worte des Erlösers am Kreuze. The masses were composed continually between 1749 and 1802, except for the years 1783–1795, and therefore constitute the genre with which Haydn was occupied over the longest period of time. The six (authentic or complete) masses composed before 1782 are stylistically very different, and as well as short Missae breves there are more extended masses with rich orchestral scoring; by contrast the six so-called late masses, written from 1796 onwards, form a comparatively homogeneous group of more extensive works scored for large forces. With his two great oratorios Die Schöpfung (The Creation) (1798) and Die Jahreszeiten (The Seasons) (1801) Haydn established the tradition of the German oratorio for middle-class music making. Personal details

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