Georg Philipp Telemann: Missa brevis - Sheet music | Carus-Verlag

Georg Philipp Telemann Missa brevis

on "Allein Gott in der Höh sei Ehr" TVWV 9:2

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Telemann's Missa brevis on "Allein Gott in der Höh sei Ehr" is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment.
Purchase
individual part, violin 2 Carus 39.096/12, ISMN 979-0-007-21525-5 4 pages, 23 x 32 cm, without cover
separate orders only on request
3,10 € / copy
 
full score, First edition Carus 39.096/00, ISMN 979-0-007-09750-9 16 pages, DIN A4, paperback
available
8,00 € / copy
choral score Carus 39.096/05, ISMN 979-0-007-16210-8 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 4,20 € / copy
from 40 copies 3,78 € / copy
from 60 copies 3,36 € / copy
set of parts, complete orchestral parts Carus 39.096/19, ISMN 979-0-007-13472-3 23 x 32 cm, without cover
available
36,00 € / copy
  • 1 x full score, First edition (39.096/00)
    each: 8,00 €
    3 x individual part, violin 1 (39.096/11)
    each: 3,10 €
    3 x individual part, violin 2 (39.096/12)
    each: 3,10 €
    2 x individual part, viola (39.096/13)
    each: 3,10 €
    3 x individual part, violoncello/double bass (39.096/14)
    each: 3,10 €
full score digital (download), pdf file Carus 39.096/00-010-000, ISMN 979-0-007-25924-2 16 pages, DIN A4
available
7,20 € / copy
Additional product information
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details

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