Jean-Philippe Rameau: Deus noster refugium - Sheet music | Carus-Verlag

Jean-Philippe Rameau Deus noster refugium

Psalm 45. Grand Motet

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The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau’s great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau’s death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau’s autograph score from 1751.

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Print editions & CDs

full score Carus 21.007/00, ISMN 979-0-007-14217-9 68 pages, DIN A4, paperback

vocal score Carus 21.007/03, ISMN 979-0-007-14297-1 52 pages, paperback

choral score Carus 21.007/05, ISMN 979-0-007-16142-2 16 pages, DIN A4, without cover Minimum order quantity: 20 copies

set of parts, complete orchestral parts Carus 21.007/19, ISMN 979-0-007-19787-2 23 x 32 cm, without cover

Consisting of

5 x individual part, violin/oboe (21.007/11)

each: 8,40 €

3 x individual part, viola 1 (21.007/12)

each: 8,40 €

3 x individual part, viola 2 (21.007/13)

each: 8,40 €

4 x individual part, basso continuo (21.007/14)

each: 8,40 €

1 x individual part, organ (21.007/49)

each: 24,60 €

individual part, organ Carus 21.007/49, ISMN 979-0-007-19788-9 24 pages, 23 x 32 cm, without cover

Additional product information

Composer
Jean-Philippe Rameau
| 1683-1764

Personal details

Editor
Jean-Paul C. Montagnier
| 1965

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Reviews

Plant Carus eine neue Reihe mit französischer Kirchenmusik? Der Einstand mit den Rameau-Motetten wäre mehr als geglückt ... Großartige Musik, die man besitzen und aufführen sollte.
Friedrich Storfinger, Musica Sacra, 5/2014

... die beiden Psalmvertonungen (Psalm 45 und 83) sind großangelegte Werke für Soli, Chor und kleines Ensemble mit einer höchst bildhaften Tonsprache, ohne außergewöhnliche Schwierigkeiten (also weit einfacher aufzuführen als die römischen Psalmvertonungen Georg Friedrich Händels) ...
Gustav Danzinger, CHOR aktuell, 3/2014

Wer sich eingehend mit französischer Barockmusik und ihren Besonderheiten auseinandersetzen möchte, findet in diesen Psalmvertonungen sicher eine ebenso anspruchsvolle wie lohnende Aufgabe.
Singende Kirche, 2/2014

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