Camille Saint-Saëns Messe de Requiem

Arrangement for strings, harp and organ (arr. K. Rothaupt) op. 54, 1878/2020

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Saint-Saëns’ colorful Messe de Requiem op. 54, originally opulently scored, is published here in an ingenious reduced version, so that smaller choirs, and choirs with more limited resources of space or finance can also perform this attractive work with smaller instrumental forces.

The original large forces – quadruple wind and brass and four harps – may have been a reason why the expressive and richly colored work was less well-known than the composer’s Oratorio de Noël (Carus 40.455), a popular work the world over. To expand the options for performance, Carus has therefore published two versions of the Messe de Requiem – the original version, whose material has been arranged in such a way that the work can alternatively be performed with 11 instead of 20 wind and brass instruments (Carus 27.317), and a version without any wind or brass, scored just for strings, one or two harps, and organ. These versions are based on an arrangement published by Durand in 1927, and newly adapted by Klaus Rothaupt. The organ is allocated sections of the original wind and brass parts; registration details will help rehearsing. The vocal and string parts are unaltered compared with the original composition, so the vocal and choral score of the original version can also be used for this version. This is a fine-sounding, distinctive setting of the Requiem Mass which is undoubtedly one of the composer’s most important works.

  • Major requiem can also be performed by smaller choir
  • version without any wind or brass, reduced strings, one or two harps, and organ
  • Vocal scores and choral scores from the original version can be used.
Original versionArrangement for strings, harp and organ
Soli SATB, Coro SATB, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d’accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, Org, 2 Vl, Va, Vc, Cb)
Soli SATB, Coro SATB, 2 (1)  Arpa, 2 Vl, Va, Vc, Cb, Org

 

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full score, Foreword in German and English Carus 27.317/50, ISMN 979-0-007-25342-4 88 pages, paperback
available
107,00 € / copy
set of parts, complete orchestral parts, on loan Carus 27.317/69, ISMN 979-0-007-26178-8
  • 5 x individual part, violin 1, on loan (27.317/61)
     
    5 x individual part, violin 2, on loan (27.317/62)
     
    4 x individual part, viola, on loan (27.317/63)
     
    3 x individual part, violoncello, on loan (27.317/64)
     
    2 x individual part, double bass, on loan (27.317/65)
     
    4 x individual part, harp, on loan (27.317/97)
     
    1 x individual part, organ, on loan (27.317/99)
     
full score digital (download), pdf file Carus 27.317/50-010-000, ISMN 979-0-007-29941-5 88 pages
available
86,40 € / copy
set of parts (digital), zip file, pdf file, complete orchestral parts, on loan Carus 27.317/69-010-000
  • 1 x individual part, pdf file, violin 1, on loan (27.317/61-010-000)
     
    1 x individual part, pdf file, violin 2, on loan (27.317/62-010-000)
     
    1 x individual part, pdf file, viola, on loan (27.317/63-010-000)
     
    1 x individual part, pdf file, violoncello, on loan (27.317/64-010-000)
     
    1 x individual part, pdf file, double bass, on loan (27.317/65-010-000)
     
    1 x individual part, pdf file, harp, on loan (27.317/97-010-000)
     
    1 x individual part, pdf file, organ, on loan (27.317/99-010-000)
     
text (without music) for download, html file, Introductory text, German Carus 27.317/00-310-000
available
25,00 € / copy
text (without music) for download, html file, Singing text, original Carus 27.317/00-380-000
available
3,00 € / copy
text (without music) for download, html file, Singing text, German translation Carus 27.317/00-350-000
available
3,00 € / copy
text (without music) for download, html file, Singing text, english translation Carus 27.317/00-360-000
available
5,00 € / copy
text (without music) for download, html file, Introductory text, English Carus 27.317/00-320-000
available
25,00 € / copy
  • Camille Saint-Saëns war ein wahres Multitalent. Er war Pianist, Dirigent, Organist, Musikwissenschaftler, Musikpädagoge und Komponist und erlangte vor allem durch den Karneval der Tiere und die Oper Samson et Dalila Bekanntheit.
    Seine Sinfonie A-Dur komponierte er mit 15 und wurde bereits mit 16 an der Universität in Paris aufgenommen. Klavier, Orgel und Komposition studierte Saint-Saëns am Pariser Konservatorium und wurde 1852 Organist von Saint-Séverin in Paris. Im selben Jahr lernte er auch Franz Liszt kennen, welcher folgend einen Einfluss auf Saint-Saëns kompositorisches Schaffen ausübte. Ein Jahr später feierte er dann als Komponist sein musikalisches Debüt. Die Oper Samson et Dalila, die 1877 in Weimar uraufgeführt wurde, brachte ihm einen bis heute anhaltenden Erfolg an den Opernhäusern. Sein Weihnachtsoratorium Oratorio de Noël, das beim Carus-Verlag erhältlich ist, ist wohl das bekannteste seiner geistlichen Werke. Personal details

Reviews

... Über weite Strecken ist es [das Stück] ] originell und ideenreich, von vielen unerwarteten Klangvorstellungen durchsetzt, die dem Text zahlreiche neue Überlegungen abgewinnen…
Gustav Danzinger, Chor aktuell, 01/2021

... Wenn man sich auf das Experiment einlassen möchte, liegt mit der vorliegenden Ausgabe ein durchdachtes Konzept vor, das auf Umsetzung harrt.
Württembergische Blätter für Kirchenmusik, 06/2021

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Frequent questions about this work

The version is described as an arrangement for strings, harp, and organ, but the scoring indicates “2 (1) Arpa”. So how many harps do I need?

Schon in der Erstausgabe der Bearbeitung von 1927 wird nur eine Harfe genannt, es erschien jedoch nur eine Orgelstimme die laut Überschrift die Bläser integriert. Für die übrigen Instrumente (Streicher, Harfen) sind die Stimmen der Hauptfassung zu verwenden. Einen Hinweis, welche der beiden Harfenstimmen zu verwenden ist, fehlt. Tatsächlich ist die Aufführung mit zwei Harfen klangvoller, ein großer Substanzverlust geht mit dem Weglassen einer der Stimmen aber nicht einher.
We don’t actually know that. The version was published without an arranger’s name. But as the organ part from 1927 contains no instructions about registration, we asked Klaus Rothhaupt to look through this organ part with a fresh pair of eyes, and to provide some practical performance tips.
Yes, the vocal parts are absolutely identical, and therefore the vocal scores and choral scores are compatible with both versions.
Yes, the string parts in the arrangement have been taken over unchanged from the original version. We also offer the string parts for this version on loan with article number Carus 27.317/69.
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