Robert Schumann / Clytus Gottwald (arr.): For Songs from "Dichterliebe". Vocal transcription by Clytus Gottwald - Sheet music | Carus-Verlag

Robert Schumann / Clytus Gottwald (arr.) For Songs from "Dichterliebe". Vocal transcription by Clytus Gottwald

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Clytus Gottwald’s sophisticated arrangements for chorus a cappella have very successfully established themselves in the choral repertoire all over the world. In his choral transcriptions, Gottwald applies the vocal compositional techniques of contemporary music, which he studied as the long-standing director of the Schola Cantorum, to traditional compositions, using the highly differentiated sound to reveal the structures of these works.
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  • Im wunderschönen Monat Mai
  • Die Rose, die Lilie
  • Dein Angesicht
  • Aus alten Märchen winkt
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  • Unbenanntes Dokument Im wunderschönen Monat Mai

    Im wunderschönen Monat Mai,
    als alle Knospen sprangen,
    da ist in meinem Herzen
    die Liebe aufgegangen.

    Im wunderschönen Monat Mai,
    als alle Vöglein sangen,
    da hab ich ihr gestanden
    mein Sehnen und Verlangen.

    Die Rose, die Lilie

    Die Rose, die Lilie, die Taube, die Sonne,
    die liebt ich einst alle in Liebeswonne.
    Ich lieb sie nicht mehr, ich liebe alleine

    ...

  • Unbenanntes Dokument In the lovely month of May

    In the lovely month of May,
    when all the buds burst open,
    there, from my own heart,
    my love did blossom.

    In the lovely month of May,
    when all the birds were singing,
    did I confess to her
    my yearning and my longing.

    The rose, the lily

    The rose, the lily, the dove, the sun,
    once I loved them all in love’s bliss.
    I love them no more, I love only

    ...

  • Unbenanntes Dokument Au merveilleux mois de mai

    Au merveilleux mois de mai,
    comme tous les bourgeons s’ouvraient,
    dans mon cœur aussi
    l’amour est éclos.

    Au merveilleux mois de mai,
    comme tous les oiseaux chantaient,
    je lui ai fait l’aveu
    de mes langueurs, de mes désirs.

    La rose, le lis

    La rose, le lis, la colombe, le soleil,
    je les ai tous aimés avec ivresse.
    Je ne les aime plus, je n’aime plus qu’elle,

    ...

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Score Carus 9.136/00, ISMN 979-0-007-13050-3 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
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Score digital (download), pdf file Carus 9.136/00-010-000, ISMN 979-0-007-29260-7 16 pages, DIN A4 Minimum order quantity: 20 copies
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from 20 copies 6,80 € / copy
from 30 copies 6,12 € / copy
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from 100 copies 5,10 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, english translation Carus 9.136/00-360-000
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1,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, french translation Carus 9.136/00-370-000
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1,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 9.136/00-380-000
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1,00 € / copy
  • Robert Schumann is still primarily known as a composer of piano and lieder and as a symphonic composer. In his later creative years, however, he saw the composition of choral music as an important focus of his work. Even today, it is important to discover a largely unknown Schumann, whose choral music masterfully combines popular appeal and artistic ambition. Carus offers Schumann's complete works for mixed choir and for female choir a cappella and with piano. They demonstrate his love of experimentation, his sensitivity in the selection and musical realisation of the texts and, last but not least, his independent choral style, which places particular emphasis on refined details in the composition. Personal details
  • The choral conductor, composer and musicologist Clytus Gottwald (1925 - 2023) made significant contributions to contemporary choral music. As editor for New Music at Südfunk Stuttgart and founder and director of the Schola Cantorum Stuttgart, he was in productive exchange with his contemporaries, Pierre Boulez, Mauricio Kagel, György Ligeti, Luigi Nono, Karlheinz Stockhausen and many others. With his Schola Cantorum, a 16-voice chamber vocal ensemble, Gottwald decisively shaped the a cappella choral culture of the highest technical level that is taken for granted today. Clytus Gottwald's transcriptions of piano songs and instrumental pieces for unaccompanied choir are appreciated by choirs all over the world. Modelled on the style of Ligeti, his works set the highest of musical standards. Clytus Gottwald has received several awards for his services, including the Cultural Prize of Baden-Württemberg in 2009, the European Church Music Prize in 2012, and the Cross of Merit of the Federal Republic of Germany in 2014. His importance for the development of contemporary choral music cannot be overestimated. Personal details

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