Camille Saint-Saëns / Klaus Rothaupt (arr.) Messe de Requiem

Arrangement for strings, harp and organ (arr. K. Rothaupt) op. 54, 1878/2020

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Saint-Saëns’ colorful Messe de Requiem op. 54, originally opulently scored, is published here in an ingenious reduced version, so that smaller choirs, and choirs with more limited resources of space or finance can also perform this attractive work with smaller instrumental forces.

The original large forces – quadruple wind and brass and four harps – may have been a reason why the expressive and richly colored work was less well-known than the composer’s Oratorio de Noël (Carus 40.455), a popular work the world over. To expand the options for performance, Carus has therefore published two versions of the Messe de Requiem – the original version, whose material has been arranged in such a way that the work can alternatively be performed with 11 instead of 20 wind and brass instruments (Carus 27.317), and a version without any wind or brass, scored just for strings, one or two harps, and organ. These versions are based on an arrangement published by Durand in 1927, and newly adapted by Klaus Rothaupt. The organ is allocated sections of the original wind and brass parts; registration details will help rehearsing. The vocal and string parts are unaltered compared with the original composition, so the vocal and choral score of the original version can also be used for this version. This is a fine-sounding, distinctive setting of the Requiem Mass which is undoubtedly one of the composer’s most important works.

  • Major requiem can also be performed by smaller choir
  • version without any wind or brass, reduced strings, one or two harps, and organ
  • Vocal scores and choral scores from the original version can be used.
Original versionArrangement for strings, harp and organ
Soli SATB, Coro SATB, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d’accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, Org, 2 Vl, Va, Vc, Cb)
Soli SATB, Coro SATB, 2 (1)  Arpa, 2 Vl, Va, Vc, Cb, Org

 

Purchase
Full score, foreword in German and English Carus 27.317/50, ISMN 979-0-007-25342-4 88 pages, paperback
available
115,00 € / copy
Set of parts, complete orchestral parts, for hire, also available in digital form Carus 27.317/69, ISMN 979-0-007-26178-8
  • 5 x Individual part, violin 1, for hire (27.317/61)
     
    5 x Individual part, violin 2, for hire (27.317/62)
     
    4 x Individual part, viola, for hire (27.317/63)
     
    3 x Individual part, violoncello, for hire (27.317/64)
     
    2 x Individual part, double bass, for hire (27.317/65)
     
    4 x Individual part, harp, for hire (27.317/97)
     
    1 x Individual part, organ, for hire (27.317/99)
     
Full score digital (download), pdf file Carus 27.317/50-010-000, ISMN 979-0-007-29941-5 88 pages
available
103,50 € / copy
Set of parts digital (download), zip file, pdf file, complete orchestral parts, for hire Carus 27.317/69-010-000
  • 1 x Individual part digital (download), pdf file, violin 1, for hire (27.317/61-010-000)
     
    1 x Individual part digital (download), pdf file, violin 2, for hire (27.317/62-010-000)
     
    1 x Individual part digital (download), pdf file, viola, for hire (27.317/63-010-000)
     
    1 x Individual part digital (download), pdf file, violoncello, for hire (27.317/64-010-000)
     
    1 x Individual part digital (download), pdf file, double bass, for hire (27.317/65-010-000)
     
    1 x Individual part digital (download), pdf file, harp, for hire (27.317/97-010-000)
     
    1 x Individual part digital (download), pdf file, organ, for hire (27.317/99-010-000)
     
Digital text (without sheet music) incl. printing licence, html file, Introductory text, german Carus 27.317/00-310-000
available
25,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 27.317/00-380-000
available
3,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, german translation Carus 27.317/00-350-000
available
3,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, english translation Carus 27.317/00-360-000
available
5,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, Introductory text, english Carus 27.317/00-320-000
available
25,00 € / copy
  • Camille Saint-Saëns was a true multi-talent. He was a pianist, conductor, organist, musicologist, music teacher and composer and became famous above all for the Carnival of the Animals and the opera Samson et Dalila.
    He composed his Symphony in A major at the age of 15 and was accepted to the University of Paris at the age of 16. Saint-Saëns studied piano, organ and composition at the Paris Conservatoire and became organist of Saint-Séverin in Paris in 1852. In the same year, he also met Franz Liszt, who subsequently exerted an influence on Saint-Saëns' compositional work. A year later, he celebrated his musical debut as a composer. The opera Samson et Dalila, which premiered in Weimar in 1877, brought him lasting success in opera houses to this day. His Christmas oratorio Oratorio de Noël, which is available from Carus-Verlag, is probably the best-known of his sacred works. Personal details

Reviews

... Über weite Strecken ist es [das Stück] ] originell und ideenreich, von vielen unerwarteten Klangvorstellungen durchsetzt, die dem Text zahlreiche neue Überlegungen abgewinnen…
Gustav Danzinger, Chor aktuell, 01/2021

... Wenn man sich auf das Experiment einlassen möchte, liegt mit der vorliegenden Ausgabe ein durchdachtes Konzept vor, das auf Umsetzung harrt.
Württembergische Blätter für Kirchenmusik, 06/2021

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Frequent questions about this work

The version is described as an arrangement for strings, harp, and organ, but the scoring indicates “2 (1) Arpa”. So how many harps do I need?

Schon in der Erstausgabe der Bearbeitung von 1927 wird nur eine Harfe genannt, es erschien jedoch nur eine Orgelstimme die laut Überschrift die Bläser integriert. Für die übrigen Instrumente (Streicher, Harfen) sind die Stimmen der Hauptfassung zu verwenden. Einen Hinweis, welche der beiden Harfenstimmen zu verwenden ist, fehlt. Tatsächlich ist die Aufführung mit zwei Harfen klangvoller, ein großer Substanzverlust geht mit dem Weglassen einer der Stimmen aber nicht einher.
We don’t actually know that. The version was published without an arranger’s name. But as the organ part from 1927 contains no instructions about registration, we asked Klaus Rothhaupt to look through this organ part with a fresh pair of eyes, and to provide some practical performance tips.
Yes, the vocal parts are absolutely identical, and therefore the vocal scores and choral scores are compatible with both versions.
Yes, the string parts in the arrangement have been taken over unchanged from the original version. We also offer the string parts for this version on loan with article number Carus 27.317/69.
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