The edition of Hammerschmidt's ten motets contains six works for the church year and four sacred concertos. The collection is ideal for mixed choirs who perform with differently-scored instrumental ensembles, since for Hammerschmidt an exact instrumentation was not his highest priorty: The instruments could be employed "if available," otherwise they could be dispensed with, as he explains in the fourth part of his Musicalischen Andachten (1646). On the other hand, the composer demands the greatest possible intelligibility from the choir. These works are a rewarding addition to the repertoire, especially suited for performance in worship services and evening music.
Explore
Sheet music preview View
Listen (7)
  • Alleluja! Freuet euch, ihr Christen alle
  • Glory to god in the highest
  • Das ist je gewisslich wahr
  • Tender love have I for thee, Lord
  • Vom Leiden Christi
  • Oster-Dialog
  • Schmücket das Fest mit Maien
more
Purchase
Collection Carus 4.006/00, ISMN 979-0-007-00652-5 88 pages, DIN A4, paperback
available
from 1 copies 21,00 € / copy
from 20 copies 18,90 € / copy
from 40 copies 16,80 € / copy
from 60 copies 15,75 € / copy
  • Andreas Hammerschmidt grew up in a Protestant family in Bohemia, but fled with his family to Freiberg in Electoral Saxony in 1626 due to religious persecution during the Counter-Reformation. No detailed information about his musical education has been handed down. In 1635, Hammerschmidt became organist at St. Peter's Church in Freiberg, until he took up the position of organist at St. John's Church in Zittau four years later. He held this position until his death, while Zittau developed into his musical centre of activity.

    Hammerschmidt composed over 400 works, mainly church cantatas, motets and sacred madrigals. Stylistically, his music follows in the footsteps of Heinrich Schütz, but he is considered an important pioneer of the German church cantata, which later flourished under Johann Sebastian Bach.

    Personal details

Reviews

„ ... eine besonders geeignete Auswahl an musikalisch anspruchsvollen Werken für gemischte Chöre, die mit unterschiedlich besetzten Instrumentalensembles auftreten ... “
Toccata 57 (Jan-Feb 2012)

Reviews on our website can only be submitted by customers with a registered user account. A check whether the rated products were actually purchased does not take place.

No feedback available for this product.

Frequent questions about this work

Pencil symbol There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services!