César Franck: Mass in A major - Sheet music | Carus-Verlag

César Franck Mass in A major

Organ version (Coro STB) op. 12, 1860

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César Franck’s great orchestral Mass in A major of 1861 is one of the works which the composer wrote for liturgical use at St. Clotilde in Paris, the church where he played for many years as a famous organist and organ improviser. Probably because of concerns on the part of his publisher, a few years after Franck composed his orchestral Mass he reworked it for much smaller forces: instead of orchestra, just organ, harp, cello, and double bass are required. It was this version of the work was first published in 1872 in Paris.

As well as the orchestral version (40.646/00), Carus-Verlag also publishes this much reduced version – both in the original, now rather unusual, choral scoring for soprano, tenor, and bass (40.646/50), and in a four-part scoring adapted for modern-day choirs (40.646/60).

Purchase
Individual part, double bass Carus 40.646/52, ISMN 979-0-007-07556-9 12 pages, 23 x 32 cm, without cover
available
8,60 € / copy
Full score Carus 40.646/50, ISMN 979-0-007-07554-5 64 pages, DIN A4, paperback
available
24,00 € / copy
Choral score Carus 40.646/05, ISMN 979-0-007-07545-3 24 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 8,10 € / copy
from 40 copies 7,29 € / copy
from 60 copies 6,48 € / copy
Individual part, violoncello Carus 40.646/51, ISMN 979-0-007-07555-2 4 pages, 23 x 32 cm, without cover
available
4,50 € / copy
Individual part, harp Carus 40.646/53, ISMN 979-0-007-07557-6 8 pages, 23 x 32 cm, without cover
available
7,10 € / copy
Set of parts, separate instruments Carus 40.646/59, ISMN 979-0-007-29360-4 23 x 32 cm, without cover
available
17,00 € / copy
  • 1 x Individual part, violoncello (40.646/51)
    each: 4,50 €
    1 x Individual part, double bass (40.646/52)
    each: 8,60 €
    1 x Individual part, harp (40.646/53)
    each: 7,10 €
Individual part digital (download), pdf file, double bass Carus 40.646/52-010-000, ISMN 979-0-007-43020-7 12 pages, 23 x 32 cm Provisionally available from 06/2026
Additional product information
  • Der Vater erkannte früh seine Begabung und gab ihn 1831 zur musikalischen Ausbildung an das Konservatorium Lüttich in Belgien. Vier Jahre später zog die Familie nach Paris, wo der fünfzehnjährige César ebenfalls am Konservatorium aufgenommen wurde und in die Klavierklasse Pierre-Joseph-Guillaume Zimmermanns kam. Auch besuchte er die Klassen in Kontrapunkt bei Aimé Ambroise Simon Leborne, Komposition bei Henri-Montan Berton und Orgel bei François Benoist. In dieser Zeit entstanden seine ersten kammermusikalischen Werke, wie die 3 trios concertants für Violine, Violoncello und Klavier. 1858 wurde er Titularorganist in der Ste. Clotilde-Kirche in Paris, für welche er ein eigenes Repertoire komponierte. Darunter befindet sich u.a. das Oratorium über Die Sieben Worte Jesu am Kreuz 1859, welches beim Carus-Verlag erhältlich ist.
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