Digital text (without sheet music) incl. printing licence, html file, singing text, english translation
html file, singing text, english translation
(Sample)
Hail, Queen of heaven,
Mother of love and graciousness.
Life with its sweetness and hope most blessed,
to you we cry here, we exiles, the sons of Eve’s children;
to you we do sigh here, with weeping and pleading,
in this dark and sorrowful valley.
For you are our helper, the advocate for us;
with your eyes full of grace look upon us.
And Jesus, the most blessed fruit of your own body,
after we end this exile here, make known to us.
O gracious, O holy, O lovely Virgin Mary.
...
Digital text (without sheet music) incl. printing licence, html file, singing text, german translation
html file, singing text, german translation
(Sample)
Gegrüßet seist du, Königin,
Mutter der Barmherzigkeit,
unser Leben, unsere Süßigkeit und unsere Hoffnung.
Zu dir rufen wir, elende Kinder Evas.
Zu dir seufzen wir trauernd und weinend
in diesem Tal der Tränen.
Wohlan denn, unsere Fürsprecherin!
Wende deine barmherzigen Augen zu uns, und nach diesem Elend
zeige uns Jesus, die gebenedeite Frucht deines Leibes.
O gütige, o milde, o süße Jungfrau Maria.
...
Digital text (without sheet music) incl. printing licence, html file, singing text, original
html file, singing text, original
(Sample)
Salve Regina,
mater misericordiae.
Vita, dulcedo, et spes nostra, salve.
Ad te clamamus, exsules, filii Evae.
Ad te suspiramus, gementes et flentes
in hac lacrimarum valle.
Eja ergo, Advocata nostra,
illos tuos misericordes oculos ad nos converte.
Et Jesum, benedictum
fructum ventris tui,
nobis post hoc
exsilium ostende.
O clemens, o pia,
o dulcis Virgo Maria!
...
Digital text (without sheet music) incl. printing licence, html file, Introductory text, english
html file, Introductory text, english
(Sample)
??Abridged text from the CD Carus 83.470
Felix Loy
Translation: Erik Dorset
Felix Mendelssohn wrote his Salve Regina in
E flat major in 1823 at the age of fourteen. It can
be clearly heard that this work is inspired by the
catholic style of Classical era composers from
Southern Germany and Austria. Mozart s sacred
music was certainly exemplary for Mendelssohn
here; Franz Schubert had composed his Salve Regina
in A major (D 676) in 1818, merely five years
earlier. The smooth, beguilingly beautiful cantilenas
at the beginning and end are impressive, as
is the interplay of the solo part
...
Digital text (without sheet music) incl. printing licence, html file, Introductory text, german
html file, Introductory text, german
(Sample)
Booklet-Text der CD Carus 83.470
Felix Loy
Als letzte der vier Marianischen Antiphonen wird
das Salve Regina in der katholischen Liturgie in
der Komplet (Abendgebet) von Pfingsten bis Advent
verwendet. Musikalisch hat sie eine reiche
Geschichte, vor allem seit dem 17. Jahrhundert
entstanden zahlreiche Vertonungen für festliche
Mariengottesdienste. Felix Mendelssohn
Bartholdy schrieb sein Salve Regina in Es-Dur
1823, im Alter von vierzehn Jahren. Während
Mendelssohns „protestantische“ Werke, etwa
seine Kantaten und Oratorien, an den hierfür
damals als klassisch angesehenen Werken Bachs
und Händels orientiert waren, ist das vorliegende
Werk hörbar vom katholischen Stil der
süddeutsch-österreichischen Klassiker inspiriert.
Mozarts Kirchenmusik war Mendelssohn hier sicher
vorbildhaft; Franz Schubert hatte sein Salve
Regina in A-Dur (D 676) 1818, also nur fünf Jahre
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