Gabriel Fauré Sacred music. Complete edition of the shorter sacred music for choir and ensembles

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Between completing his education at the École de musique classique et religieuse in Paris and being appointed head of the Paris Conservatoire, Gabriel Fauré worked mainly as a church musician. As a result of his conviction that spiritual music is "an expression of humanity", he usually preferred more intimate chamber music ensembles to large monumental works.  In accordance with the resources available where he worked, he wrote much for mixed choir, frequently supported by soloists and organ or harmonium and sometimes enriched by harp or double bass. For festive occasions, further instruments were added: preferably a string quintet, sometimes augmented by wind instruments. The chamber music-like "human" character was, however, always retained.

"Musique religieuse" contains all the smaller-scale choral and  ensemble works, as well as previously unpublished original arrangements for orchestra and chamber ensemble.
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  • Ave Maria in A major
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    • Cantique de Jean Racine (organ version)
    • Cantique de Jean Racine (orchestra version)
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Collection Carus 70.301/00, ISMN 979-0-007-08087-7 184 pages, DIN A4, paperback
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  • French composer, 1845-1924.

    He was a pupil of Camille Saint-Saëns and studied at the Paris School of Sacred Music. Fauré worked as an organist and choirmaster and gave piano lessons and recitals in Parisian salons. He was able to improvise brilliantly on the piano, which is also reflected in his compositions. He was director of the Paris Conservatoire from 1905 to 1920.

    Fauré mainly wrote vocal, piano and chamber music. He is best known for his piano songs for solo voice and his Requiem, which was also performed at his own funeral service.

    Personal details

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Sämtliche Werke sind von mittlerer Schwierigkeit, die Messe basse sei aus der eigenen Praxis wärmstens empfohlen.
Kirchenmusik im Bistum Limburg, 10/2024

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