In honor of the joint commemorative years for Handel and Mendelssohn in 2009, Mendelssohn’s arrangement of Handel’s Acis and Galatea will be published in cooperation with the Handel Society of Göttingen. This setting of the love story from Greek mythology was among Handel’s most frequently performed works during the lifetime of the master. The interest in this work continued following his death, and in making their arrangements of it, no less than Wolfgang Amadeus Mozart and Felix Mendelssohn Bartholdy concerned themselves intensely with this work. Whereas the Mozart version of the oratorio was published in 1788 and found a widespread dissemination, until now Mendelssohn’s version has been handed down only in handwritten form. Yet the more recent version is no less impressive than the older one. Through the addition of various wind instruments Mendelssohn achieved an enormously colorful orchestral sound which effective illustrated the dramatic plot, and even dramatized it in some cases. The entirely spacial interpretation by the barely twenty-year-old composer is based on the text of a then unknown German translation of the original text. Initial study of the partial autograph which has been handed down shows that Fanny, Felix’s sister, also worked on the translation of the text. The singing text in the edition will be printed in both English and German.
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  • Ouverture
  • Coro: Oh wie reizend ist dies Tal
  • Recit. (Galatea): Du grüne Flur
  • Aria (Galatea): Schweig, oh luft’ger Sängerchor
  • Aria (Acis): Wo find ich dich
  • Recit. (Damon): Sei wachsam, Hirt
  • Aria (Damon): Junger Hirt, du suchst vergebens
  • Recit. (Acis): Geliebte, sieh, oh Galatea
  • Aria (Acis): Lieb’ in den Blicken wohnet
  • Recit. (Galatea): Oh kenntest du der Trennung bitt’re Pein
  • Duetto (Galatea, Acis): Selig Glück
  • Coro: Selig Glück
  • Coro: Unglücksel’ge, das Geschick
  • Recit. (Polyphem): Ich rase
  • Aria (Polyphem): Du röter als die Kirsche
  • Recit. (Polyphem, Galatea): Willst du, Schönste, nicht verweilen
  • Aria (Polyphem): Wohl das Flehen will ich lassen
  • Aria (Damon): Liebe kannst du nur gewinnen
  • Recit. (Acis): Des Riesen Lieb
  • Aria (Acis): Auf in den Kampf
  • Aria (Damon): Sieh, törichter Schäfer
  • Recit. (Galatea): Still, o still, du holder Knab
  • Trio (Galatea, Acis, Polyphem): Den Berg verlässt die Herde
  • Recit. (Acis): Hilf, Galatea!
  • Coro: Weint all ihr Musen
  • Aria con coro (Galatea, TTBB): Muss ich dem Teuren Klage weihn
  • Recit. (Galatea): Wohlan, so üb ich Göttermacht an dir
  • Aria (Galatea): Herz, der süßen Liebe Bild
  • Coro: Galatea, trau’re nicht
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Full score Carus 55.049/00, ISMN 979-0-007-03856-4 216 pages, DIN A4, paperback
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Choral score Carus 55.049/05, ISMN 979-0-007-12875-3 32 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 40 copies 9,90 € / copy
from 60 copies 8,80 € / copy
Set of parts, complete orchestral parts, for hire Carus 55.049/19 23 x 32 cm, without cover
  • 1 x Set of parts, harmony parts, for hire, flute 1, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, french horn 1, french horn 2, trumpet 1, trumpet 2, english horn, timpani (55.049/09)
     
    7 x Individual part, violin 1, for hire (55.049/11)
     
    6 x Individual part, violin 2, for hire (55.049/12)
     
    5 x Individual part, viola, for hire (55.049/13)
     
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Full score digital (download), pdf file Carus 55.049/00-010-000, ISMN 979-0-007-26162-7 216 pages, DIN A4
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  • George Frideric Handel put his exceptionally versatile compositional abilities to the test at an early age. After moving to London in 1712, where he was appointed Composer of Musick for His Majesty’s Chapel Royal in 1723, he wrote numerous masterpieces for the royal court as well as his major opere serie. For many years he enjoyed triumphant successes with his operas, which were sung by outstanding performers, with serenades, and later also with oratorios such as Saul and Israel in Egypt. Over the years Handel’s reputation grew far beyond the city where he worked; some of his choral works, particularly Messiah, have enjoyed a performance tradition which remains unbroken to this day, and are sung by choirs throughout the world. Personal details

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