Sonata Pian e Forte
Giovanni Gabrielis Sonata Pian e Forte verdankt ihren Namen und ihre Bekanntheit nicht zuletzt der Tatsache, dass sie als eine der ersten Kompositionen überhaupt Angaben zur Dynamik im Notentext enthält. Im Rahmen der Entstehung einer eigenständigen, von der Vokalmusik unabhängigen Instrumentalmusik um die Wende vom 16. zum 17. Jahrhundert zeugt die schriftliche Fixierung solcher aufführungspraktischer Elemente von einer gänzlich neuen kompositorischen Denkweise. Dazu gehört auch die Präzisierung der ausführenden Instrumente durch Gabrieli: zwei Trombonenchöre, die im Diskant von einem Zink bzw. einer Viola angeführt werden.
Die vorliegende Edition präsentiert die repräsentativ-feierliche Sonata in einer Kritischen Neuausgabe und stellt zusätzlich – entsprechend der damaligen Aufführungspraxis – eine bezifferte Orgelstimme zur Verfügung.
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Composer
Giovanni Gabrieli
| 1554-1612Year of birth uncertain: 1554 or 1557 in Venice, died there in 1612.
Giovanni Gabrieli was one of the most influential musicians of the Venetian School in the 16th century. He was a church musician at St Mark's Basilica in Venice, where Monteverdi became his successor after his death. One of Gabrieli's most important pupils was Heinrich Schütz, who learnt from Gabrieli during a three-year journey to Italy.
Gabrieli's style is characterised by Venetian polychoralism, basso continuo and affectation; he also wrote madrigals. His polychoral motets are written for up to 16 voices and 15 instruments and bear witness to the splendour of sound that must have prevailed in St. Mark's Basilica at the time. His Symphoniae Sacrae I and II and the many canzoni are well known. Gabrieli mainly wrote sacred choral music.
Personal details
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Editor
Barbara Grossmann
| 1978
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