Henry Purcell: Love Songs - CD, Choir Coach, multimedia | Carus-Verlag

Henry Purcell Love Songs

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Pure listening pleasure: Next to Henry Purcell there is scarcely a composer in the history of music who knew how to set the English language in such an inspired and sensitive manner. Dorothee Mields and the Lautten Compagney, conducted by Wolfgang Katschner, have assembled a number of songs on the theme of love in its various facets: the spectrum ranges from feelings of wild, joyful, ebullience, to the plaintive, melancholy lament of love. Most of the titles on the CD are from the incidental music which Purcell wrote from 1680 to 1695 for theatrical plays which appeared on the stages of London.
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  • Hush, no more
  • Hark! How the songsters
  • If love's a sweet passion
  • If music be the food of love
  • Curtain Tune on a Ground
  • Dance
  • For love ev'ry creature
  • Hornpipe
  • I love and I must
  • Sweeter than roses
  • Overture
  • Love in their little veins inspires
  • But ah!
  • Come all to me
  • First music
  • Entrance of night
  • One charming night
  • Chaconne
  • Ye gentle spirits of the air
  • Prelude
  • Since from my dear
  • O let me weep
  • The cares of lovers
  • Let us dance
  • Borée
  • Butterfly dance
  • Man is for the woman made
  • Hark! The echoing air
  • Chaconne
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Purchase
Compact Disc Carus 83.435/00, EAN 4009350834354 CD, digipac
available in audio portals (streaming)
 
 
  • Henry Purcell is considered the most important composer of the English High Baroque period. He gained his first musical experience as a singing boy in the Royal Chapel. In 1674 he became an organist at Westminster Abbey, three years later Composer of the Violins at Court, and in 1679 he finally became organist of Westminster Abbey himself. Purcell was promoted to organist of the Royal Chapel in 1683 and became the royal steward of instruments in 1683. This put an end to his political and social career and allowed him to concentrate on his musical work. From today's perspective, Henry Purcell appears to be the most important English stage composer of the era before George Frideric Handel. Personal details
  • The Lautten Compagney is one of the most renowned and creative baroque instrument ensembles in Germany. Their concerts, under the artistic direction of Wolfgang Katschner, have fascinated audiences for three decades. With their infectious joy in performing and their innovative concepts, these ‘early musicians’ effortlessly translate the musical language of the Baroque to the present. Whether it’s as a solo chamber ensemble or an opera orchestra, the ensemble is continually crossing boundaries and seeking out encounters with new sounds and other art forms. The ensemble has received numerous awards for its exciting musical collaborations. For its CD recording of the program Timeless, combining early Baroque music with works by Philip Glass, it received an ECHO Klassik award in 2010. And their winning the Rheingau Musik Prize 2012 was in recognition of the Lautten Compagney’s creative concert programming. The ensemble has a particular interest in music theater, especially the works of George Frideric Handel. Their performances of Handel’s Serse on a tour of New Zealand in 2011 took both audiences and press by storm. Their production of Rinaldo, a collaboration with the Milan puppet company Carlo Colla e Figli, was enthusiastically received by young and old alike. The Lautten Compagney is a regular guest at leading national and international concert halls and festivals, including the Konzerthaus and Radialsystem V in Berlin, the Leipzig Gewandhaus, Frauenkirche Dresden, Concertgebouw Amsterdam, Vienna Musikverein, Warsaw Philharmonic, An unmistakable sound, breathtaking blend, tremendous sense of musical assurance and a good portion of charm and wit are amarcord’s special hallmarks. The group’s extremely diverse and wide-ranging repertoire encompasses medieval songs, Renaissance madrigals and masses, compositions and cycles of works from the European Romantic and 20th century as well as a cappella arrangements of folk songs from all over the world, and well-known rock, pop, soul, and jazz songs. The ensemble has won prizes at numerous international competitions. In 2002 amarcord won the Deutscher Musikwettbewerb. Alongside the Gewandhaus Orchestra and St. Thomas’s Choir, amarcord is one of the most important representatives of the music city of Leipzig at home and abroad. The group is a frequent guest at leading music festivals. Numerous concert tours have taken the singers to over fifty countries and to almost every continent in the world. In association with the Goethe-Institut they have given guest performances in Australia, South East Asia, the Middle East, Russia, Africa, and Central America. The International Festival for Vocal Music “a cappella” (www.a-cappella-festival.de), inaugurated by amarcord in 1997, has become one of the most important festivals of its kind under the group’s artistic direction. Numerous CDs impressively document the different facets of amarcord’s repertoire, and have won many prizes such as ECHO Klassik (2010, 2012), the International Classical Music Award, Supersonic Award and the Contemporary A Cappella Recording Award. Personal details
  • Wolfgang Katschner studied guitar at the Hanns Eisler High School for Music in Berlin and lute at the High School for Music and Theatrical Arts in Frankfurt am Main. Following an engagement at the Schwerin Theater, he has worked as a freelance musician since 1984. His posts have included that of manager and dramaturg for the Schütz Academy as well as a professor of lute and guitar at the Music High Schools of Berlin and Dresden. Today much of his artistic work is with the Lautten Compagney and Capella Angelica ensembles. In recent years he has also figured more and more as a conductor, enjoying great success in that role. Personal details

Reviews

[...] Wolfgang Katschner's choice of Dorothee Mields to sing the vocal items is excellent. It is hard to find a better interpreter for Purcell's vocal music outside the English-speaking world. At the beginning of her career she was compared to the young Emma Kirkby. Since then her voice has grown and become stronger and warmer. But she still has some of the skills which have made Ms Kirkby famous: immaculate diction and pronunciation, and a fine taste for ornamentation. [...]
(Johan van Veen, musicweb-international.com, Mai 2011)

[...] Eine sehr schöne Einspielung des Carus' Verlages, jeden Platz im persönlichen CD-Regal wert. [...]
(Jan Bechtel, Glarean Magazin, 19. August 2010)

Der erste Ton auf dieser CD ist ein in der Originalpartitur nicht vorgesehenes, aber ungemein schönes Maultrommelgezirpe. Die Lautten Compagney Berlin verbreitet einen ganz seltsamen, durch nichts und niemanden zu verscheuchenden Zauber im Raum, und wenn dann jemand die Tür aufstößt, kann es sein, dass der Besucher bewusst auf Zehenspitzen wieder von dannen zieht. Man ist, mit einem Wort, hier sofort auf Du und Du mit Henry Purcell, mit tanzenden Luftgeistern, verwunschenen Wäldern und rituellen Tänzen im Morgennebel. Und da kommt schon die Hauptperson auf dieser auch beim dritten Hören im Detail und im Ganzen immer noch umwerfenden Aufnahme – Dorothee Mields. [...]
(Mirko Weber, DIE ZEIT, 11.03.2010)

[...] Entstanden ist hier ein Album von ansteckend guter Laune und echt englischem Humor. [...]
(Oliver Cech, WDR3 Tonart, Auszug aus der Sendung vom 20.04.10)

Pures Hörvergnügen [...].
(Kulturkalender Baden-Württemberg, April–Juni 2010)

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