The motets of Johann Ludwig Bach occupy an outstanding position within this genre. Though rooted firmly in the shorter motets from the Thuringian tradition, nonetheless they reach dimensions which are seldom observed in that tradition. This is also true with respect to polychoral music, which here is raised from the exception to the rule – on the other hand, it is valid, when one bears in mind the necessity of representing the prestige of a royal court. Varying ensembles and dialogue-like passages contribute to these richly expressive compositions. Without a doubt these motets by the “Meininger Bach,“ highly regarded by J. S. Bach, are a treasured enrichment of the repertoire of all choirs.
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Composer
Johann Ludwig Bach
| 1677-1731The Meiningen Court Kapellmeister Johann Ludwig Bach (1677–1731) belonged to a branch of the family which had split away from the principal Wechmar line during the 16th century. His surviving œuvre is not very extensive. Apart from a collection af 18 cantatas which were preserved by his Leipzig cousin J.S. Bach, there are a few further cantatas and cantata fragments, a Mass, a large-scale piece of funeral music, an orchestral overture (his only extant orchestral work) and some motets for six to ten voices. All his works demonstrate the composer?s solid craftsmanship and inventive gifts. Personal details