Johann Sebastian Bach Friede auf Erden. Reconstructed cantatas

BWV 197.1, BWV 80.1, BWV 190.1

Read and write feedback

Johann Sebastian Bach’s uncomplete transmitted works have a very special appeal. The music seems close enough to touch… and yet remains mysterious. What might these pieces have sounded like?

Ehre sei Gott in der Höhe (BWV 197.1), Alles, was von Gott geboren (BWV 80.1) and Singet dem Herrn ein neues Lied (BWV 190.1) have survived only as fragments, and yet fascinate us with their musical power. The opening chorus of the New Year’s cantata, BWV 190.1, for example, is one of Bach’s most magnificent choral works.

Carus has recently published reconstructions of these three cantatas, which attempt to reveal a previously unknown side to Bach. With their nuanced interpretations, the Vocalensemble Rastatt, the baroque orchestra Les Favorites and soloists Miriam Feuersinger, Terry Wey, Florian Sievers and Sebastian Noack, conducted by Holger Speck, show how these works might have sounded under the hand of the master.

Explore
Sheet music preview View
Listen (20)
  • Coro: Glory to God in the highest
  • Aria (soprano): Declare ye, o heavens, the glory of the Lord
  • Recitativo (tenore): O love, that no equal knows!
  • Aria (alto): O you pleasant, gracious treasure
  • Recitativo (basso): The child is mine, and I am his
  • Aria (basso): I do not forsake
  • Choral: And so I will forthwith
  • Aria (basso): All those born of God
  • Recitativo (basso): Consider now, believer, God’s great love unending
  • Aria (soprano): Come and abide with me
  • Recitativo (tenore): Be steadfast an remain with Jesus’ crimson banner!
  • Duetto (alto, tenore): How blessed is the womb
  • Choral: With all our strengh is nothing done
  • Chorus: Sing to the Lord a new-made song
  • Choral e Recitativo (alto, tenore, basso): Lord God, thy praise we sing
  • Aria (alto): Praise thou Zion, praise the Lord
  • Recitativo (basso): The world, since time began
  • Aria (tenore, basso): Jesus is my all in all
  • Recitativo (tenore): Now, Jesus grant thou
  • Choral: Our New Year greeting bringing
more
Purchase
Compact Disc Carus 83.532/00, EAN 4009350835320
available
19,90 € / copy
  • Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.

    Bach vocal

    Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
  • Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Personal details
  • Holger Speck enjoys an international reputation as a charismatic conductor who succeeds both in realizing stylistic characteristics in an innovative manner and in conveying emotional content. Fanfare magazine from the USA attests to his “undeniable authority.” With his distinctive sense of sound and compelling, lively and authentic interpretations, he shapes the image of his own ensembles as well as the choirs and orchestras with which he works as a guest conductor. The president of the German Bundestag Dr. Wolfgang Schäuble engaged him and his Vocalensemble Rastatt for a concert during the G20 summit. Speck established the Grammy-nominated Vocalensemble Rastatt and the Baroque orchestra Les Favorites internationally with exciting concert programs and outstanding CD recordings on the Carus label containing music by Buxtehude, Telemann, Handel and Brahms, among others. For Deutsche Grammophon productions, he was responsible for the choral sections of the Mozart operas “Die Entführung aus dem Serail,” “Le nozze di Figaro,” “Così fan tutte,” and “Don Giovanni.” Holger Speck teaches at the University of Music in Karlsruhe; in addition to being the artistic director of Vocalensemble Rastatt & Les Favorites, he works as a guest conductor with the NDR Vokalensemble, the Freiburg Baroque Orchestra, the Akademie für Alte Musik Berlin, and the choir and orchestra of the Slovenian Philharmonic Orchestra in Ljubljana, among others. The ballet director John Neumeier engaged Speck to conduct his last major creation “Dona nobis pacem” with Bach’s Mass in B minor at the Hamburg State Opera and the Festspielhaus Baden-Baden. . Personal details
  • Terry Wey was born in Switzerland and received his first singing lessons as a member of the Vienna Boys’ Choir with Silvija V. Purchar, later studying with Kurt Equiluz and Christine Schwarz. As a boy treble he won prizes in several competitions (including the MIGROS Genossenschaftsbund [Cooperative Society] Zurich, Kärntner-Sparkasse [Savings Bank] and Wörthersee Music Scholarship). His first appearances with the “Clemencic Consort” under René Clemencic in 2003 brought him to the notice of the international concert and opera scene. He has performed with conductors including Thomas Hengelbrock, Marc Minkowski and Michael Hofstetter and orchestras such as the Balthasar-Neumann-Ensemble, Les Arts Florissants and Les Musiciens du Louvre Grenoble. Several CD recordings illustrate his achievements and versatility. Personal details
  • The baritone Sebastian Noack was born in Berlin and studied singing with Dietmar Hackel, Ingrid Figur and Dietrich Fischer-Dieskau. He became known after being awarded 1st prize at the Bundeswettbewerb Gesang; other prizes followed. Since then he has made a name for himself, particularly as a concert singer, performing under renowned conductors such as Frieder Bernius, Marcus Creed, Christoph Eschenbach, and Roy Goodman. His repertoire includes all of the significant oratorios from the Renaissance to the present time. On numerous tours he has travelled through all of Europe, the USA and Southeast Asia. He is a welcome guest at international festivals. Noack sings with the large broadcasting networks and well-known Baroque orchestras as well as with chamber music ensembles, e.g., the Sharoun Ensemble or Sabine Meyer’s Trio di Clarone. He has participated in CD productions under Philippe Herreweghe and Andreas Spering. Noack is particularly interested in lieder. Together with the pianist Manuel Lange, he founded the new concert series “Meisterlied im Musikinstrumenten-Museum”, for which – in addition to his own recitals – he has already been able to engage renowned guests. After having previ - ously performed concertante or semi-scenic operas, Noack made his stage debut in Donizetti’s Viva la Mamma at the Berlin State Opera in June 2009. He is a visit ing professor at the Hochschule für Musik Hanns Eisler in Berlin. Personal details

Reviews

… So vermag das Ensemble die melodischen Linien sinnvoll zu betonen, zu artikulieren und zu phrasieren. … Historisch informiert, ... „mit einem aktuellen Impetus und gegenwärtigen Emotionen“ [Zitat Holger Speck]
NDR Kultur, 01/2025


… das Album füllt mit rekonstruierten Bach-Kantaten auch musikalisch eine Repertoirelücke.
Image hifi, 12/2024


…leicht, tänzerisch, beschwingt, sehr klar artikuliert, durchsichtig, im Chor wie im Verhältnis zwischen Vokalem und Instrumentalem fein ausbalanciert.
Susanne Benda, Chorzeit, 11/2024


… wie gut es sich zusammenfügt, beweisen Holger Speck, sein Vocalensemble Rastatt, die o.g. Solisten und Instrumentalisten. Natürlich gibt es im Carus Verlag auch die Noten für die drei rekonstruierten Kantaten. 
Wolfgang Layer, Chor Pfalz, 10/2024


… diese drei Stück sind äußerst gelungene Wiederherstellungen. … Eine lohnende Ergänzung nicht nur für Bach-Experten!
Karin Zehetleitner, APA, 10/2024

Reviews on our website can only be submitted by customers with a registered user account. A check whether the rated products were actually purchased does not take place.

No feedback available for this product.

Frequent questions about this work

Pencil symbol There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services!