Josef Gabriel Rheinberger: Weltliche Chormusik IV für Chor bzw. Solostimmen mit Begleitung (GA, Bd. 22) - Sheet music | Carus-Verlag

Josef Gabriel Rheinberger Weltliche Chormusik IV für Chor bzw. Solostimmen mit Begleitung (GA, Bd. 22)

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This volume contains Rheinberger’s choral works with accompaniment which are not ballads. These compositions, some of which are unknown today, merit a rediscovery and offer a wide range of different scorings: Included among them are compositions for mixed voices, for women’s choir and men’s choir. Most of them can be performed either chorally or with a group of soloists. Rheinberger’s romantic-idyllic setting of Eichendorff’s Die Nacht op. 56, with the unusual accompaniment of a piano quartet, is very attractive. In the Hymnus an die Tonkunst op. 179 a wind orchestra is added to the choir. The remaining works are with piano accompaniment.
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  • Mittagsruhe
  • Heimfahrt
  • Die Wasserfee
  • Lockung
  • Die Nacht
  • Johannisnacht
  • Mummelsee
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Full score (complete edition / selected edition) Carus 50.222/00, ISBN 978-3-89948-021-4, ISMN 979-0-007-09029-6 224 pages, clothbound
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191,00 € / copy
  • During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details

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