Ein' Magd, ein' Dienerin
Aria pro Adventu Hob. XXIIId:1
Haydn’s aria "Ein’ Magd, ein’ Dienerin" (A maid, a servant) may have been composed between 1770 and 1775 for a Rorate Mass read silently during Advent in the chapel of the Castle of Eisenstadt. To honor the Mother of God Haydn fashioned a set of variations on a text by an unknown author, freely after biblical and liturgical models. This is a work of gracious character in praise of the Virgin Mary expressing joy in the time before Christmas.
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Composer
Joseph Haydn
| 1732-1809As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a Stabat Mater, and the different versions of the Sieben Worte des Erlösers am Kreuze. The masses were composed continually between 1749 and 1802, except for the years 1783–1795, and therefore constitute the genre with which Haydn was occupied over the longest period of time. The six (authentic or complete) masses composed before 1782 are stylistically very different, and as well as short Missae breves there are more extended masses with rich orchestral scoring; by contrast the six so-called late masses, written from 1796 onwards, form a comparatively homogeneous group of more extensive works scored for large forces. With his two great oratorios Die Schöpfung (The Creation) (1798) and Die Jahreszeiten (The Seasons) (1801) Haydn established the tradition of the German oratorio for middle-class music making. Personal details
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Editor
Hans Ryschawy
| 1953-2022
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Preface writer
Friedrich W. Riedel