Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn’s oratorio The Creation (first performed in 1798), was the basis for the Schöpfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original.
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(11)
- Kyrie (Soli SATB, Coro)
- Gloria (Soli SATB, Coro)
- Qui tollis (Soli SATB)
- Quoniam (Coro)
- Credo (Soli SATB, Coro)
- Et incarnatus est (Soli SATB, Coro)
- Et resurrexit (Coro)
- Sanctus (Solo S, Coro)
- Benedictus (Solo S, Coro)
- Agnus Dei (Soli STB)
- Dona nobis pacem (Soli STB, Coro)
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Contents
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Composer
Luigi Gatti
| 1740-1817
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Editor
Armin Kircher
| 1966-2015Armin Kircher studied church music at the Mozarteum in Salzburg. Until his death he was Director of the Church Music Department of the Archdiocese of Salzburg, and since 1992 he had been administrative director of the Österreichische Werkwoche für Kirchenmusik (Austrian Week for Church Music). He was also Director of Music at St Peter's Abbey, Salzburg and organist at the Cajetan Church in Salzburg. The collections he edited for the Catholic liturgy have become established standard works, in particular the choral collections Chorbuch Mozart • Haydn, the Chorbuch Kirchenjahr (Choirbook for the Church Year) and publications for organ and choir for the new Catholic hymnbook Gotteslob. Armin Kircher also made a name as an arranger of beautiful settings for choir and organ. Personal details
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