Wilhelm Friedemann Bach: Sinfonia in D major - Sheet music | Carus-Verlag

Wilhelm Friedemann Bach Sinfonia in D major

BR-WFB C-Inc. 16

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Orchestral music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach.
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Score Carus 32.305/00, ISMN 979-0-007-13728-1 12 pages, DIN A4, paperback
available
28,00 € / copy
Set of parts, complete orchestral parts Carus 32.305/19, ISMN 979-0-007-14173-8 DIN A4, without cover
available
35,00 € / copy
  • 3 x Individual part, violin 1 (32.305/11)
    each: 3,80 €
    3 x Individual part, violin 2 (32.305/12)
    each: 3,80 €
    2 x Individual part, viola (32.305/13)
    each: 3,80 €
    3 x Individual part, basso continuo (32.305/14)
    each: 3,80 €
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  • Wilhelm Friedemann Bach, the oldest son of Johann Sebastian, enjoyed the reputation of an outstanding, but at the same time one of the most independent-minded composers of his age. His work represents the ambitious attempt to absorb the legacy of his father and to develop the taste of his own generation further. Lofty artistic ambitions are to be found in almost all of W. F. Bach's works – from the early piano pieces via the cantatas of his middle period to the late sonatas and fantasias. Wilhelm Friedemann Bach wrote keyboard and chamber music, concertos and sacred cantatas. On a high level of technical ability he created a fascinating synthesis of baroque complexities and the emotionally charged galant style. While his instrumental works were written for the most part in Dresden (1733–1746) and Berlin (1774–1784) and are in the style of splendid courtly music, the vocal works date from his time as organist and director of music at the Marktkirche in Halle (1746–1764); they are distinguished by their expressive boldness and virtuosity. Personal details

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