Wolfgang Amadeus Mozart: Der Schauspieldirektor - Sheet music for download | Carus-Verlag

Wolfgang Amadeus Mozart Der Schauspieldirektor

Comedy with Music KV 486, 1786

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Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schönbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies.

Thanks to an arrangement for chamber orchestra by U. Stäuble (Carus 57.007/00), it is now possible to perform the work in smaller settings.

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Full score Carus 51.486/00, ISMN 979-0-007-09014-2 88 pages, paperback
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72,00 € / copy
Vocal score Carus 51.486/03, ISMN 979-0-007-09227-6 52 pages, paperback
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23,00 € / copy
Set of parts, complete orchestral parts, for hire Carus 51.486/19, ISMN 979-0-007-13364-1 23 x 32 cm, without cover
  • 1 x Set of parts, harmony parts, for hire, flute 1, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, french horn 1, french horn 2, clarino 1, clarino 2, timpani (51.486/09)
     
    7 x Individual part, violin 1, for hire (51.486/11)
     
    6 x Individual part, violin 2, for hire (51.486/12)
     
    5 x Individual part, viola, for hire (51.486/13)
     
    4 x Individual part, violoncello, for hire (51.486/14)
     
    3 x Individual part, basso continuo, for hire (51.486/15)
     
Director's book, for right-handers Carus 51.486/81, ISMN 979-0-007-35820-4 104 pages, DIN A4, paperback
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46,00 € / copy
Director's book, for left-handers Carus 51.486/82, ISMN 979-0-007-35821-1 104 pages, DIN A4, paperback
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46,00 € / copy
Vocal score digital (download), pdf file Carus 51.486/03-010-000, ISMN 979-0-007-35253-0 52 pages
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23,00 € / copy
Full score digital (download), pdf file Carus 51.486/00-010-000, ISMN 979-0-007-26142-9 88 pages
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64,80 € / copy
Digital text (without sheet music) incl. printing licence, pdf file, rehearsal scenario Carus 51.486/00-710-000, ISMN 979-0-007-35825-9
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1,00 € / copy
Director’s book digital (download), pdf file Carus 51.486/81-010-000, ISMN 979-0-007-35822-8 104 pages, DIN A4 Minimum order quantity: 3 copies
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28,00 € / copy
Director Frank wants to put together a troupe in Salzburg, supported by bass buffo Puf. Various actors and singers are presented, either performing scenes from current theater literature or offering a taste of their vocal skills (Arietta No. 1 and Rondo 2). The promised fees increase with each engagement. In addition, the ladies battle for the role of “first singer” (Trio No. 3). Due to the discord, Frank threatens to call off the whole enterprise. The participants then agree to subordinate their individual interests to art, a sentiment they express in the final song (No. 4): “to give preference to oneself, to rise above others, makes even the greatest artist small.”
  • As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Personal details

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