Johann Michael Haydn

1737 – 1806

Personal details

Johann Michael Haydn worked at the renowned ecclesiastical princely court in Salzburg from 1763. Stylistically, he bridged the gap between the early classical period and the Biedermeier period during his 43 years there. In accordance with his official duties, Haydn contributed to practically all the genres cultivated in the Catholic liturgy: Haydn's church music is characterised by his knowledge of the liturgical function and the musical interpretation of religious texts. Johann Michael Haydn was initially regarded by his contemporaries as equal to Joseph Haydn. It was only the rapid rise of his elder brother to become the most important instrumental composer of the time that pushed Johann Michael Haydn into the shadows, from which the joy of musical discovery in recent years has increasingly brought him out.

Publications

209 Items

Johann Michael Haydn: Caligaverunt oculi mei

aus: Responsoria in Parasceve

MH 277,9

Sheet music

Johann Michael Haydn: Christus factus est

Graduale in Coena Domini

MH 38

Sheet music

Johann Michael Haydn: Christus factus est

aus: In Coena Domini ad Missam

MH 628, 2

Sheet music

Johann Michael Haydn: Confitemini Domino

aus: Responsoria ad quatuor Evangelia in Solemnitate Sanctissimi Corporis Christi

MH 213,4

Sheet music

Johann Michael Haydn: Confitemini Domino

aus: Responsoria ad quatuor Evangelia in Solemnitate Sanctissimi Corporis Christi

MH 213,4

Sheet music

Johann Michael Haydn: Crucem sanctam

aus: Antiphonae ad Stationes pro tribus diebus Rogatium

MH 201,1

Sheet music

Johann Michael Haydn: Das Grab ist leer

From: Salzburger Kirchengesangsbuch 1790

Sheet music

Johann Michael Haydn: Das Grab ist leer

From: Salzburger Kirchengesangsbuch 1790

Sheet music

Johann Michael Haydn: De profundis

aus: Vesperae pro Festo Sanctorum Innocentium

MH 548,4

Sheet music

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