The recorder parts of his instrumental works in a performable Urtext edition
Johann Sebastian Bach's recorder parts are amongst the most delightful artisic challenges which baroque music has to offer players of this instrument. The four-volume Complete Edition of the recorder parts from Bach's cantatas and oratorios published in 2018 by Carus-Verlag (Carus 31.308) has been highly acclaimed by musicians. This is now followed by the present volume containing the three instrumental works in which Bach uses the recorder: the Brandenburg Concertos no. 2 in F major (BWV 1047) and no. 4 in G major (BWV 1049), and the Harpsichord Concerto in F major (BWV 1057). With this, the complete Bach recorder parts are now available from Carus-Verlag in Urtext editions.
As before with the four vocal music volumes, the instrumental volume offers the Urtext of the original sources in a practical layout, and can be used for teaching, practice, and performance alike.
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Contents
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Composer
Johann Sebastian Bach
| 1685-1750Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.
Bach vocal
Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
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Editor
Peter Thalheimer
| 1946Peter Thalheimer studied recorder, flute (with Prof. Hartmut Strebel) and school music in Stuttgart. He completed his musicological studies with a doctorate at the Eberhard-Karls-Universität of Tübingen. He has taught in Nuremberg since 1978, and is currently professor of historical performance practice and recorder/transverse flute at the Hochschule für Musik Nuremberg. Concerts, radio and recording productions, courses and lectures he has given have taken him throughout Europe and the USA. In addition, his work has resulted in numerous music editions, as well as publications on performance practice, the study of instruments and on woodwind technique. An extensive collection of historical and modern flutes and recorders forms the basis for this work. Personal details
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Editor
Klaus Hofmann
| 1939
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