Psalm 150
Alleluja. Laudate Dominum FWV 69, 1884
The present setting of Psalm 150 from 1884 is one of César Franck’s late works. It shows the highly individual elements of the composer’s style in concentrated form: a consciously symphonic idiom, bold and unmistakable harmonies, largely characterized by their chromaticism and unusual concepts of form. The popularity of this work has largely been hindered by the need for large instrumental resources for so short a piece.
Organ version: The work can also be performed with choir and organ only. The organ excerpt published here is based on an organ arrangement by Salomon Jadassohn published in connection with the first edition of 1896. The French-German text underlay is also from the first edition; the Latin text has been additionally underlaid in this edition.
Thanks to an arrangement by A. Landgraf (Carus 40.098/50), it is possible to perform the work in smaller settings.
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Composer
César Franck
| 1822-1890Der Vater erkannte früh seine Begabung und gab ihn 1831 zur musikalischen Ausbildung an das Konservatorium Lüttich in Belgien. Vier Jahre später zog die Familie nach Paris, wo der fünfzehnjährige César ebenfalls am Konservatorium aufgenommen wurde und in die Klavierklasse Pierre-Joseph-Guillaume Zimmermanns kam. Auch besuchte er die Klassen in Kontrapunkt bei Aimé Ambroise Simon Leborne, Komposition bei Henri-Montan Berton und Orgel bei François Benoist. In dieser Zeit entstanden seine ersten kammermusikalischen Werke, wie die 3 trios concertants für Violine, Violoncello und Klavier. 1858 wurde er Titularorganist in der Ste. Clotilde-Kirche in Paris, für welche er ein eigenes Repertoire komponierte. Darunter befindet sich u.a. das Oratorium über Die Sieben Worte Jesu am Kreuz 1859, welches beim Carus-Verlag erhältlich ist.
Personal details
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Editor
Wolfgang Hochstein
| 1950
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