Messe no. 6 aux cathédrales
CG 71b, 1890
The Messe no. 6 aux cathédrales by Charles Gounod (1818–1893) is a reworking of the Messe no. 3 aux communautés religieuses (for three equal voices) by the composer himself. The work contains no setting of the Benedictus, but instead, in the French tradition, an "O salutaris hostia" and a "Domine Salvam". Its easily comprehensible musical language gives the mass a light, catchy character. Simple musical means are used formatively, shaping the distinctive characteristics of the individual movements. The organ supports the choral parts, which only sing unaccompanied in a few places. "A colorful, entertaining piece of expressive-Romantic choral music, which audiences and performers alike will enjoy" (Württembergische Blätter für Kirchenmusik 2/1992).
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Composer
Charles Gounod
| 1818-1893Charles Gounod is known today especially as the composer of the operas Faust (1859) and Roméo et Juliette (1867), and of the very popular Méditation sur le 1er prélude de piano de J. S. Bach (1852), arranged in 1859 as an Ave Maria. The fact that Gounod is regarded primarily as an important opera composer does not do justice to his extensive œuvre, which encompasses all genres. His creative output is dominated by his church music, which overshadows that of all other 19th-century composers. Personal details