European Folk Songs - Sheet music | Carus-Verlag

European Folk Songs

for mixed voices

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Songs about the joys and sorrows of love, about dancing and celebrating are sung everywhere—from Greece to Norway, from Portugal to Russia. The choral collection European Folksongs, published by the choir association Europa Cantat, contains popular folk songs from 37 European countries arranged for mixed voices. In addition to traditional settings, many songs in new arrangements by contemporary composers have been included.

Every song is published in its original language and the collection includes German, English and French translations for each song. Spoken texts which are available on the Carus website will help in preparing the songs sung in foreign languages. Most of the songs were recorded by choirs from the respective countries. These recordings are available on all common streaming platforms. Most of the settings are also available in separate editions (in print or digital form).

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  • Laula kultani
  • Ich weiß nicht, was soll es bedeuten
  • Wach auf
  • In einem kühlen Grunde
  • Wéi meng Mamm nach huet gesponnen
  • Du fragsch mi, wär i bi
  • O Diandle, tiaf drunt im Tal
  • In Klausn isch Kirchtig
  • Gildebroeders maakt plezieren
  • Daar was laatst een meisje loos
  • Early one morning
  • The Star of the County Down
  • Vísur Vatnsenda-Rósu
  • Pal sine honur
  • Jeg gik mig du en sommerdag
  • Kristallen den fina
  • Scedryk
  • Góralu czy ci nie zal
  • Okolo Hradisca
  • Janícko, zltovlas
  • Ribce po murjici pvavajo
  • Vehni, vehni fijolica
  • S' one strane Dunava
  • Polegnala e Todora
  • Ajde, slusaj, Angjo
  • Lu guarracino
  • Scià, scià, Peppina
  • El Vito
  • La Tarara
  • Riga dimd
  • Shkoj e vij flutrim si zogu
  • Syrtos Rhodou
  • Psintri Vasilitzia mou
  • Sew a cobani sowne
  • Kungla rahvas
  • A jó lovas katonának
  • Agur jaunak
  • Du und i sind Brüederli
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    • Du fragsch mi, wär i bi
    • O Diandle, tiaf drunt im Tal
    • In Klausn isch Kirchtig
    • Early one morning
    • Vísur Vatnsenda-Rósu
    • Pal sine honur
    • Kristallen den fina
    • Polegnala e Todora
    • El ball de Sant Ferriol
    • Syrtos Rhodou
    • Ich weiß nicht, was soll es bedeuten
    • Wach auf
    • Untreue
    • Wéi meng Mamm nach huet gesponnen
    • Du und i sind Brüederli
    • Gildebroeders maakt plezieren
    • Daar was laatst een meisje loos
    • The Star of the County Down
    • Jeg gik mig du en sommerdag
    • Vo pole berez'in'ka stojala
    • Scedryk
    • Góralu czy ci nie zal
    • Okolo Hradisca
    • Janícko, zltovlas
    • Ribce po murjici pvavajo
    • Vehni, vehni fijolica
    • S' one strane Dunava
    • Ajde, slusaj, Angjo
    • Doina
    • Lu guarracino
    • Voici le printemps, mon cousin
    • Je t'aurai, ma brunette
    • El Vito
    • La Tarara
    • A rolinha
    • Tra bo dau
    • Riga dimd
    • Oi lekia, lekia
    • Shkoj e vij flutrim si zogu
    • Psintri Vasilitzia mou
    • Sew a cobani sowne
    • Laula kultani
    • Kungla rahvas
    • A jó lovas katonának
    • Bülbülüm
    • Agur jaunak
    • Scià, scià, Peppina
Purchase
Choral collection Carus 2.301/00, ISMN 979-0-007-09042-5 80 pages, paperback
available
from 1 copies 24,00 € / copy
from 20 copies 21,60 € / copy
from 40 copies 19,20 € / copy
from 60 copies 18,00 € / copy
Compact Disc, with spoken text Carus 2.301/98 DIN A4, CD in jewel case
available
6,50 € / copy
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Contents

Reviews

[...] Alle Lieder erscheinen in den Originalsprachen und sind mit Übersetzungen ins Deutsche, Englische und Französische versehen. [...] Die Schwierigkeitsgrade sind zwar unterschiedlich (meist mittlere Stufe), nicht aber die Qualität der Bearbeitungen, die allesamt für ein europäisches Festkonzert geeignet sind. Dieses Heft ist eine Anschaffung für Jahrzehnte und stellt einen guten Anlass dar, im historischen Notenschrank mal auszumisten. Bei den Komponisten der einzelnen Chorsätze handelt es sich um die besten der einzelnen Länder.

Wolfgang Layer
Quelle: Schwäbische Sängerzeitung 08-09/2006

 

The volume of Music Sacra Hungarica draws together almost 50 short a cappella pieces from 11 Hungarian composers active in the last century. Kodaly is, inevitably, represented, though modestly; his pupils, all of whom contributed to the growth of what we now think of as the new Hungarian vocal style spearheaded by Kodály, Bartók and Bárdos, fare better. Taking their lead from Kodály's ideological principal that the foundation of music-making is singing, these Hungarian composers provided a rich repertoire of unaccompanied material loosely emulating Palestrina's vocal style, if not his language. The volume's pieces are all brief in duration and most require relatively modest skills to bring off in performance. All liturgical seasons are covered, and the mainly Latin texts will bring them within the linguistic range of even the most modest choral group. The very few items that were originally sung in Hungarian are here translated into German only, thus betraying the publishers' origins. But any half-decent church choir that invested in this collection would be rewarded - and the good news is that publishers will supply multiple copies of individual items. [...]

Quelle: Choir&Organ, Nov./Dez. 2007

 

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