St Luke Passion
TVWV 5:29, 1744
Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here: as an opening, during the scene on the Mount of Olives, and as a closing.
This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements.
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(45)
- Sonata
- 1. Choral: Wann meine Sünd’ mich kränken
- 2. Rezit.: Und er ging hinaus
- 3. Choral: Wer fleißig betet
- 4. Rezit.: Da er aber noch redete
- 5. Arie: Die freundlichsten Küsse
- 6. Rezit.: Da aber sahen
- 7. Chor: Herr, sollen wir mit dem Schwerte
- 8. Rezit.: Und einer aus ihnen
- 9. Arie: Wie sich ein winz’ges Lüftchen regt
- 10. Rezit.: Sie griffen ihn aber
- 11. Arie: Du, o ewiges Erbarmen
- 12. Rezit.: Die Männer aber
- 13. Chor: Weissage uns
- 14. Rezit.: Und viele andere Lästerungen
- 15. Chor: Bist du Christus
- 16. Rezit.: Sage ich’s euch
- 17. Chor: Bist du denn Gottes Sohn
- 18. Rezit.: Er sprach zu ihnen
- 19. Arie: Ihr werdet mich sehen
- 20. Rezit.: Sie aber sprachen + 21. Chor: Was dürfen wir weiter Zeugnis
- 22. Rezit.: Und der ganze Haufe
- 23. Chor: Diesen finden wir
- 24. Rezit.: Pilatus aber
- 25. Chor: Er hat das Volk erregt
- 26. Rezit.: Da aber Pilatus
- 27. Arie: Schönste Freundin
- 28. Rezit.: Auf den Tag
- 29. Chor: Hinweg
- 30. Rezit.: Dieser war in einem Aufruhr
- 31. Chor: Kreuzige ihn
- 32. Rezit.: Er aber sprach
- 33. Arie: Deiner Feinde
- 34. Rezit.: Und als sie ihn hinführeten
- 35. Chor: Ach, klage
- 36. Rezit.: Jesus aber
- 37. Chor: Er hat andern geholfen
- 38. Rezit.: Es spotteten
- 39. Chor: Bist du der Juden König
- 40. Rezit.: Es war auch oben
- 41. Arie: Holdselige Worte
- 42. Rezit.: Und es war
- 43. Arie: Ich befehl’
- 44. Rezit.: Und als er das gesaget
- 45. Choral: So fahr’ ich hin
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Contents
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Composer
Georg Philipp Telemann
| 1681-1767Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details
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Editor
Felix Schroeder
| -1976
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Continuo realization
Felix Schroeder
| -1976
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Translator
Hans-Hubert Schönzeler
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