Quintetti d'archi e Partite per due liuti (FBO)
” … a very beautiful, very refined ensemble playing, a rhythmically pointed, structurally clear, very expressive recording.“
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Contents
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Composer
Georg Philipp Telemann
| 1681-1767Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details
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Preface writer
Wolfgang Hobohm
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Ensemble
Freiburger Barockorchester Consort
Reviews
Telemann: Quintetti d'archi e Partite per due liuti
Telemann: Quintetti d’archi e Partite per due liuti
[...] Das klein besetzte Ensemble, mit Geigen, Bratschen und einem farbenreichen Continuo, also eine ausgesprochen exquisite Formation, hat sich der Kammermusik des fantasiereichen Georg Philipp Telemann angenommen. Entstanden ist eine wunderschöne, sehr differenzierte Einspielung, die Telemanns Witz und seinen abwechslungsreichen, sensiblen Umgang mit den unterschiedlichen Klangsprachen der Instrumente so recht - im wahrsten Sinnes des Wortes - zum Klingen bringt, eine rhythmisch pointierte, strukturell klare, sehr ausdrucksreiche Aufnahme. [...]
Ingeborg Allihn
Quelle: MDR Kultur, Sendung vom 26.2.1999