Christmas History
Historia der freuden- und gnadenreichen Geburt Gottes und Marien Sohnes Jesu Christi SWV 435, 1664
The Weihnachts-Historie SWV 435 by Heinrich Schütz is in the tradition of historia settings which, unlike the later oratorios, were largely based on biblical accounts. Amongst the Christmas Histories, found from the early 17th century onwards, the mature Schütz’s composition is rightly regarded as the most important. Both the impressive setting of the Gospel account and the Intermedia, characterized by various different scorings and instrumentation, lend the historia a dramatic pull, and allow the 40-minute composition to become an exceptionally varied experience for the listener.
Schütz was well aware of the high demand the Intermedia placed on the instrumental forces, and allowed only the Evangelist’s account to be printed in 1664, as the Intermedia should only be performed “by outstanding ensembles” in a “fitting manner”. These only survived in manuscript; as a result, the Introduction and the 5th Intermedium survive incomplete and were added by Paul Horn in the style of Schütz’s time for our edition.
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Contents
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Composer
Heinrich Schütz
| 1585-1672Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions. Personal details
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Editor
Günter Graulich
| 1926The publisher, church musician and teacher Günter Graulich is one of the major personalities in German publishing of the post-war period. With his wife Waltraud he founded Carus-Verlag Stuttgart in 1972, which he built up from a 2-person family firm to a medium-sized business with around 60 employees. A trained church musician and Kantor for many years at the Matthäuskirche Stuttgart, he also directed the Motettenchor Stuttgart for 50 years. With his choir he made LP and CD recordings, and undertook numerous concert tours to other European countries and America. Personal details
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Continuo realization
Paul Horn
| 1922-2016Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
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Translator
Derek McCulloch
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Translator
David Johnston
Reviews
... Das Notenmaterial aus dem Carus-Verlag ist angenehm zu lesen, mit deutschem und englischem Text versehen und sehr übersichtlich angelegt.
Monika Fahrnberger, singende kirche, 3/2019
Frequent questions about this work
Which version is the edition based on?
As in most of the other editions, the recitatives from the printed edition of 1664 are combined with the intermedii from the Uppsala manuscript. The opening chorus (missing apart from the continuo part) is included in a reconstruction by Paul Horn.