Johann Christoph Altnickol: Missa in D minor - Sheet music | Carus-Verlag

Johann Christoph Altnickol Missa in D minor

Kyrie-Gloria-Messe

Read and write feedback
The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre.
Explore
Sheet music preview View
Listen (10)
  • Kyrie I
  • Christe eleison
  • Kyrie II
  • Gloria
  • Laudamus te
  • Gratias agimus tibi
  • Domine Deus
  • Qui tollis
  • Quoniam tu solus Sanctus
  • Cum Sancto Spiritu
more
Purchase
Full score, First edition Carus 27.068/00, ISMN 979-0-007-09069-2 56 pages, DIN A4, paperback
available
32,00 € / copy
Vocal score Carus 27.068/03, ISMN 979-0-007-09070-8 36 pages, paperback
available
14,50 € / copy
Choral score Carus 27.068/05, ISMN 979-0-007-11353-7 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 6,30 € / copy
from 40 copies 5,67 € / copy
from 60 copies 5,04 € / copy
Set of parts, complete orchestral parts Carus 27.068/19, ISMN 979-0-007-19988-3 23 x 32 cm, without cover
available
110,00 € / copy
  • 1 x Full score, First edition (27.068/00)
    each: 32,00 €
    5 x Individual part, violin 1 (27.068/11)
    each: 5,00 €
    5 x Individual part, violin 2 (27.068/12)
    each: 5,00 €
    4 x Individual part, viola (27.068/13)
    each: 5,00 €
    5 x Individual part, violoncello / double bass (27.068/14)
    each: 5,00 €

Reviews

[...] Altnickol hat wohl derartige Messen J. S. Bachs gut gekannt. Der Formenreichtum und zugleich auch die Klarheit der Komposition zeigen die Prägung des Lehrers, sind jedoch vor allem Ausdruck eines individuellen Kirchenstils. Mit ihrer kontrapunktischen Kunsthaftigkeit und musikalischen Tiefe repräsentiert die hier erstmals edierte Kyrie-Gloria-Messe einen Gipfelpunkt dieser weit verbreiteten Gattung. Mit der Entwicklung der Kirchenkantate und deren liturgischer Funktion - und damit verbundener Ausschaltung des lateinischen Ordinariums - verlor die Kyrie-Gloria-Messe jedoch an Bedeutung. Wie bei Carus üblich, ist auch dieses Werk hervorragend ediert.

Quelle: Singende Kirche 2007/2

 

 

Reviews on our website can only be submitted by customers with a registered user account. A check whether the rated products were actually purchased does not take place.

No feedback available for this product.

Frequent questions about this work

Pencil symbol There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services!