Missa Sancti Cyrilli et Methodii
MH 13
The thirty or so settings of the Mass by Johann Michael Haydn (Joseph’s younger brother) are masterpieces of their class, and were greatly loved during his lifetime. In his sacred music Haydn succeeds in creating a synthesisof counterpoint and song-like melodies, which shows the influence of Gregorian chant and indigenous folk music. With the Missa Sancti Cyrilli et Methodii dedicated to the Slavic apostles Cyrill and Methodius it is possible that Haydn applied for a position in Brno and it actually appears as if the 21-year-old composer wanted to present a masterpiece demonstrating his skills. The mass of 1758 is an early work, still written in the baroque stylistic tradition of the southern German region; it also reveals subjective inspiration which separates it from many mass settings by Haydn‘s contemporaries. The composition is a cantata mass; the sections of the ordinary are divided into individual movements which interpret the text using a variety of instrumentations and compositional techniques aimed at contrast and diversity.
As part of its Urtext complete edition Carus has published the mass for the first time.
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Composer
Johann Michael Haydn
| 1737-1806Johann Michael Haydn worked at the renowned ecclesiastical princely court in Salzburg from 1763. Stylistically, he bridged the gap between the early classical period and the Biedermeier period during his 43 years there. In accordance with his official duties, Haydn contributed to practically all the genres cultivated in the Catholic liturgy: Haydn's church music is characterised by his knowledge of the liturgical function and the musical interpretation of religious texts. Johann Michael Haydn was initially regarded by his contemporaries as equal to Joseph Haydn. It was only the rapid rise of his elder brother to become the most important instrumental composer of the time that pushed Johann Michael Haydn into the shadows, from which the joy of musical discovery in recent years has increasingly brought him out. Personal details
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Editor
Armin Kircher
| 1966-2015Armin Kircher studied church music at the Mozarteum in Salzburg. Until his death he was Director of the Church Music Department of the Archdiocese of Salzburg, and since 1992 he had been administrative director of the Österreichische Werkwoche für Kirchenmusik (Austrian Week for Church Music). He was also Director of Music at St Peter's Abbey, Salzburg and organist at the Cajetan Church in Salzburg. The collections he edited for the Catholic liturgy have become established standard works, in particular the choral collections Chorbuch Mozart • Haydn, the Chorbuch Kirchenjahr (Choirbook for the Church Year) and publications for organ and choir for the new Catholic hymnbook Gotteslob. Armin Kircher also made a name as an arranger of beautiful settings for choir and organ. Personal details
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