Sacred Concertos
Contents
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Composer
Johann Rosenmüller
| 1619-1684
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Preface writer
Jochen Arnold
Jochen Arnold, born 1967 in Marbach/Neckar, studied Protestant theology in Tübingen and Rome and church music in Stuttgart (advanced diploma), where his teachers included Werner Jacob (organ), and Dieter Kurz and Helmut Wolf (conducting). He was a curate and Kantor in Reutlingen, obtained a doctorate at the University of Tübingen, qualified as a university lecturer in interdisciplinary subjects on the theology of Bach’s cantatas, and since 2008 hee has been a non-faculty lecturer at the University of Leipzig. In 2004 he became director of St Michael’s Monastery Hildesheim, part of the Protestant- Lutheran Regional Church of Hanover, with a special responsibility for the theology of services, liturgy in worship, teaching how to preach, and conducting. He has extensive concert experience as conductor of the ensemble Gli Scarlattisti with numerous radio and CD productions. His repertoire ranges from the medieval to the present. Jochen Arnold also conducts the Collegium Musicum Hildesheim and the chorus of the University of Hildesheim. He lectures in choral conducting and Protestant theology. Personal details
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Choir
Gli Scarlattisti
The vocal ensemble Gli Scarlattisti was founded in 1995 by Jochen M. Arnold. It comprises professional singers from Germany and Switzerland. The Scarlattisti are usually accompanied by a continuo group of four instrumentalists or the Baroque orchestra Capella Principale (Director: Thorsten Bleich). The group’s first recording was released in 1998, containing the Musikalische Exequien and three motets from the Geistliche Chormusik (1648) by Heinrich Schütz. This was followed by a recording of Monteverdi’s Vespers of the Blessed Virgin in the continuo version, as well as vesper psalms by Johann Rosenmüller (Vespro Veneziano) in 2001. A recording of Scarlatti’s ten-part setting of the Stabat Mater was released in 2006 together with Arnold’s Diptychon secundum Iohannem. This was fol lowed by an internationally-acclaimed CD of Latin and English cantatas and anthems by G. F. Handel under the title O praise the Lord on the Carus label, then in 2010 by a recording of the complete motets of J. S. Bach. The ensemble regularly undertakes concert tours, and in recent years has also taken part in radio broadcasts, performed at renowned concert series (Stuttgart, Nürnberg, Berlin, Celle, Frankfurt, Torgau, St. Gallen, among others) and participated in the Deut scher Evangelischer Kirchentag (German Protestant Church Congress) in Hanover and Cologne (TV). The repertoire of Gli Scarlattisti ranges from the Renaissance to the modern. One critic described the ensemble as the “crème de la crème of the early music scene in southern Germany.” Personal details
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Ensemble
Capella Principale
The Capella Principale consists of musicians of various nationalities who have joined forces under Thorsten Bleich’s direction to perform early music projects on a regular basis. Their collaborations began with the performance in 1999 of the complete works of Carlo Farina for string ensemble and basso continuo. The members of the ensemble share a mutual interest in works ranging from early baroque to modern, and great importance is attached to the question of the appropriate instruments. Many of the players also perform with noted European Baroque orchestras. Personal details
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Conductor
Jochen Arnold
Jochen Arnold, born 1967 in Marbach/Neckar, studied Protestant theology in Tübingen and Rome and church music in Stuttgart (advanced diploma), where his teachers included Werner Jacob (organ), and Dieter Kurz and Helmut Wolf (conducting). He was a curate and Kantor in Reutlingen, obtained a doctorate at the University of Tübingen, qualified as a university lecturer in interdisciplinary subjects on the theology of Bach’s cantatas, and since 2008 hee has been a non-faculty lecturer at the University of Leipzig. In 2004 he became director of St Michael’s Monastery Hildesheim, part of the Protestant- Lutheran Regional Church of Hanover, with a special responsibility for the theology of services, liturgy in worship, teaching how to preach, and conducting. He has extensive concert experience as conductor of the ensemble Gli Scarlattisti with numerous radio and CD productions. His repertoire ranges from the medieval to the present. Jochen Arnold also conducts the Collegium Musicum Hildesheim and the chorus of the University of Hildesheim. He lectures in choral conducting and Protestant theology. Personal details
-
Conductor
Jochen Arnold
Jochen Arnold, born 1967 in Marbach/Neckar, studied Protestant theology in Tübingen and Rome and church music in Stuttgart (advanced diploma), where his teachers included Werner Jacob (organ), and Dieter Kurz and Helmut Wolf (conducting). He was a curate and Kantor in Reutlingen, obtained a doctorate at the University of Tübingen, qualified as a university lecturer in interdisciplinary subjects on the theology of Bach’s cantatas, and since 2008 hee has been a non-faculty lecturer at the University of Leipzig. In 2004 he became director of St Michael’s Monastery Hildesheim, part of the Protestant- Lutheran Regional Church of Hanover, with a special responsibility for the theology of services, liturgy in worship, teaching how to preach, and conducting. He has extensive concert experience as conductor of the ensemble Gli Scarlattisti with numerous radio and CD productions. His repertoire ranges from the medieval to the present. Jochen Arnold also conducts the Collegium Musicum Hildesheim and the chorus of the University of Hildesheim. He lectures in choral conducting and Protestant theology. Personal details
Reviews
Heinichen Messen
... Die CD stellt eine echte Bereicherung für Liebhaber der Musik aus dem deutschsprachigen Raum der ersten Hälfte des 17. Jahrhunderts dar.
Monika Fahrnberger, singende kirche, 1/2020
... on apprécie la diction irréprochable, la transparence de la polyphonie comme le caractère enlevé d'une interprétation maîtrisée et dépourvue de sécheresse.
Olivier Rouvière, Diaposon, 01/2020
... erweisen sich Arnold und seine Scarlattisti als Kenner der Materie: Sie artikulieren sehr genau, phrasieren sehr sauber, balancieren alle Stimmen gut aus und erzielen einen homogenen Ensembleklang.
Matthias Hengelbrock, Musik & Kirche, Jan./Feb. 2020
... Dit soort gespecialiseerde koren weten op uitstekende wijze met dit soort koorwerken om te gaan en dat betekent altijd: cd's van het hoogste niveau. ... Derhalve: zeer aanbevolen.
Maarten Seijbel, De Waarheidsvriend, 11/2019
...In verschiedenen Solo- und Tuttibesetzungen dokumentiert die Werkauswahl die facettenreiche Satzkunst Rosenmüllers beispielhaft, wobei alle Stimmen die starke Textorientiertheit der Musik ansprechend umsetzen.
Jan-Geert Wolff, Pizzicato, 12.11.2019
... ein klangstarkes und vielseitiges Fest der Vokal- und Instrumentalstimmen.
MT, Concerti, Okt 2019
... Das für diese Geistlichen Konzerte charakteristische konzertierende Zusammenspiel wird in dieser Aufnahme wunderbar herausgearbeitet. Die farben- und abwechslungsreiche Musik mit ihrem Wechsel von kleiner und großer Besetzung macht diese CD zum Ohrenschmaus vom ersten bis zum letzten Ton.
Württembergische Blätter für Kirchenmusik, 04/2021