Josef Gabriel Rheinberger: Organ Sonata No. 12 in D flat major - Sheet music | Carus-Verlag

Josef Gabriel Rheinberger Organ Sonata No. 12 in D flat major

op. 154, 1888

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Josef Gabriel Rheinberger’s 12th Organ Sonata in D flat major (1888) beings with a large Phantasie and ends with a demanding fugue in C sharp minor. The middle movement is a Pastorale. Twenty organ sonatas in twenty different keys came from the pen of the composer. Unfortunately, in his lifetime he was not granted the opportunity to complete the set as a "well-tempered" whole. The separate edition is taken from the Rheinberger Complete Edition.
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Score Carus 50.154/00, ISMN 979-0-007-14082-3 32 pages, paperback
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  • During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details

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Aus seiner langjährigen Erfahrung mit dem Orgelwerk Rheinbergers kann der Rezensent die Beschäftigung mit dem wichtigen Exponenten der romantischen Orgelkomposition auf Grund der außerordentlich hohen satztechnischen Dichte, des harmonischen Reichtums und der ungeheuren Fülle cantabler Linien Spielern und Hörern gleichermaßen anempfehlen.
Josef Miltschitzky, Ars Organi, Heft 1, März 2014

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