Martín Palmeri / Marten Jansson / Keiko Harada / Dominick DiOrio / Victoria Vita Poleva / Grayston (Bill) Ives CREDO. Six Composers – Six Parts – One Christian Faith

“To imagine and create performers’ inner state during performing” is Keiko Harada’s main and unique compositional approach and it has realized her own musical language. 

Her teachers for composition include Akira Miyoshi and Brian Ferneyhough, for piano Michio Mamiya and Gyorgy Kurtag.

Her compositions have been commissioned by international foundations such as leading festivals, radio stations and orchestras. Internationally active ensembles and soloists such as Ensemble Modern , Phorminx, AsianArt Ensemble Berlin, Ictus (Belgium), Elision(Australia),Yoyo-Ma, Carin Levine, Mike Svoboda, Stefan Hussong, Yumiko Meguri, Kuniko Kato and Toshiya Suzuki as well as many artists from different genres like dance, theater, ikebana and film are interested in her music, leading to many collaborative works. 

Her more than 10-times invited portrait concerts have taken place in Europe and Eastern Asia. 

Numerous compositions have received awards such as Otaka Prize (NHK Symphony), Akutagawa Composition Prize, The Japan Awards and others. In addition, she has been invited for lectures and teaching by many universities including Stanford Univ., Bercley (CA), Pisa Univ., Wuerzburg Univ., Ljubljana Univ. and many others. 

She is currently a professor of Composition at Tokyo College of Music, lecturer of Composition at Toho Gakuen School of Music and Guest Professor at Kagoshima University for researching succession of local traditional sound culture.

Her portrait CD is released commercially at WERGO (King International), Cypres, FONTEC and her scores are published by ZEN-On (SCHOTT), Edition WUNN, Tokyo Concerts and Tokyo Hustle Copy. 

We asked the composer 6 questions, read them here in our blog: https://blog.carus-verlag.com/en/personalities/6-questions-for-keiko-harada/

Recognized with The American Prizes in both Choral Composition (2014) and Choral Performance (2019, with NOTUS), Dominick DiOrio is an imaginative, enthusiastic, and energetic conductor and composer who has won widespread acclaim for his contributions to American music. He is professor of music and chair of the department in choral conducting at the Indiana University Jacobs School of Music, where he joined the faculty in 2012, and where he serves as director of NOTUS, Indiana University’s storied contemporary vocal ensemble.

DiOrio also serves as the fourteenth artistic director and conductor of the Mendelssohn Chorus of Philadelphia, one of the most historic choral organizations in the United States. As part of those duties, he regularly prepares the chorus to sing with The Philadelphia Orchestra, including a "near ideal" (The Philadelphia Inquirer) performance of Carmina burana in March 2024 with conductor Fabio Luisi. His artistic vision for the Mendelssohn Chorus of Philadelphia has been regularly supported with multiple grants from the William Penn Foundation, the Presser Foundation, and the National Endowment for the Arts.

DiOrio’s combined role as a composer-conductor has led to many unique opportunities and collaborations. In April 2024, he had the honor of writing original music for William Shatner, part of a spoken-word performance at IU’s Memorial Stadium moments before the total solar eclipse. DiOrio conducted the collaboration, which featured Mr. Shatner, NOTUS and twenty instrumentalists from the IU Jacobs School of Music. DiOrio’s guest conducting appearances regularly feature his original compositions, including with civic and professional ensembles such as the Choral Arts Society of Washington (SOLARIS), Houston Chamber Choir (I Am), Choral Arts Initiative (All Is), and the Young Naperville Singers (Young Today).

DiOrio’s original music has been hailed for its keenly intelligent, evocative style, which shows “a tour de force of inventive thinking and unique colour” (Gramophone). His over 60 published works have appeared at major venues around the world including the Sydney Opera House, Lincoln Center, and Carnegie Hall—as well as internationally in Austria, Canada, China, Denmark, Finland, Hong Kong, Italy, Norway, South Korea, Spain, Sweden, and the U.K.

He composes for musicians of all ages and experiences and maintains an active writing schedule—completing over 70 commissions in the last decade. Some of his recent commissioning partners include the San Francisco Gay Men's Chorus and the San Francisco Symphony, the Children’s Chorus of Washington, the Cincinnati Vocal Arts Ensemble & Cincinnati Chamber Orchestra, The Choral Arts Society of Washington, “The President’s Own” United States Marine Band, and many academic institutions, including Macalester, Oberlin, Princeton, Smith, and the Universities of Michigan, Oregon, and Illinois.

DiOrio’s love for contemporary music is reflected in his conducted repertoire, including such path-breaking works from the 20th and 21st centuries as James MacMillan Seven Last Words, Steve Reich The Desert Music, Alfred Schnittke Requiem, Sarah Kirkland Snider Mass for the Endangered, Joel Thompson Seven Last Words of the Unarmed, and Krzysztof Penderecki St. Luke Passion, which he prepared for the composer in November 2017. Equally at home with music of earlier eras, he has also conducted choral-orchestral performances of Bach Magnificat, Haydn Mass in Time of War, Mozart "Great" C Minor Mass, Vaughan Williams Five Mystical Songs, and Leonard Bernstein Chichester Psalms, among others.

DiOrio is deeply committed to strengthening the profession by empowering others, and he recently completed a four-year term as president and president-elect of the National Collegiate Choral Organization (2018-22). For his leadership during the pandemic, he was honored with NCCO's inaugural Distinguished Service Award. DiOrio also previously served as chair of ACDA’s Composition Initiatives Standing Committee and as a member of the Board of Directors for Chorus America.

He earned the Doctor of Musical Arts in Choral Conducting from the Yale School of Music, as well as an M.M.A. and an M.M. in Conducting from Yale and a B.M. in Composition summa cum laude from Ithaca College. He proudly credits his mentors Janet Galván, Simon Carrington, and Marguerite Brooks for serving as model leaders and for making him the person he is today.

Victoria Vita Polevá is a renowned Ukrainian pianist and composer.

Her earlier works, including the ballet “Gagaku”, “Transform” for large orchestra and “Anthem” for chamber orchestra, favour avant-garde and polystylistic aesthetics. Since the late 1990s, Polevá has gravitated towards spiritual themes and musical simplicity, developing a style now recognized as 'sacred minimalism'.
Polevá's compositions have been commissioned by prominent figures in new music, including Gidon Kremer for "Sempre Primavera" and "The Art of Instrumentation," as well as the Kronos Quartet for "Walking on Waters".

Her works have been performed by distinguished conductors such as Vladimir Jurowski, Andrey Boreyko, Simon Camartin, Kirill Karabits, Volodymyr Sirenko, Roman Kofman, and Adam Stern. Her music has graced prestigious venues like the Berlin Philharmonic, Carnegie Hall, Barbican Hall, and Royal Festival Hall.

In 2023, Polevá's 4th symphony for Cello and symphony orchestra, "The Bell," commissioned by LPO and DSO, premiered in Dallas under the baton of Kirill Karabits. The following year, Joyce DiDonato performed the American premiere of “No Man Is an Island” at Carnegie Hall.

Victoria Polevá is a Laureate of Shevchenko National Prize of Ukraine. Her recordings are available through Naxos, and her scores are published by Donemus.

Grayston (Bill) Ives has spent his life in choral music – as a singer, conductor, teacher and composer (writing as Grayston Ives).

He was a chorister at Ely Cathedral and later studied music at Cambridge, taking composition lessons with Richard Rodney Bennett.

After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers, with whom he recorded and performed worldwide.

For eighteen years he directed the Choir of Magdalen College, Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons, and gave the première of Paul McCartney’s Ecce Cor Meum, which was written especially for them.

He has a special interest in composing and arranging. Many of his published works, both sacred and secular, are performed regularly in the UK and abroad.

In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

We asked the composer 6 questions, read them here in our blog: https://blog.carus-verlag.com/en/personalities/6-questions-for-bill-ives/