Peter Cornelius: Freund Hein - Sheet music | Carus-Verlag

Peter Cornelius Freund Hein

based on Beethoven’s String Quartet No. 15, 3rd mov. 1872

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Score, separate edition from a choral collection Carus 3.372/00, ISMN 979-0-007-24601-3 2 pages, DIN A4, without cover Minimum order quantity: 20 copies
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Score digital (download), pdf file, separate edition from a choral collection Carus 3.372/00-010-000, ISMN 979-0-007-29105-1 2 pages, DIN A4 Minimum order quantity: 20 copies
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from 30 copies 1,44 € / copy
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  • Peter Cornelius, born in Mainz in 1824, died there in 1874. Son of an actors' couple. Initially also took up this profession, but then studied counterpoint with S. Dehn in Berlin from 1844 to 1846. His church music dates mainly from this period and from the years after 1852, when he went to Liszt in Weimar, who encouraged his work as a church composer. Cornelius became one of the most important pioneers of the New German School. He followed Wagner to Munich in 1865, where he worked as a composition teacher at the newly founded Royal School of Music from 1867 on. Today, his opera ‘Der Babier von Bagdad’ (1858) and his ‘Weihnachtslieder’ op. 8 are particularly well known.  Personal details
  • Ludwig van Beethoven was without doubt one of the most influential composers in the history of music. His works formed the culmination of many genres – particularly instrumental – of Viennese classicism, and laid the foundation for the following decades. But Beethoven’s vocal works set standards too: the late Missa Solemnis is one of the most impressive choral works of its time; but his earlier Mass in C also opens up new worlds of expression for the liturgical text, and set the benchmark for the further development in the composition of the mass. And with the final chorus of the Ninth Symphony, the setting of Schiller’s Ode to Joy, Beethoven created one of the most frequently-performed and best known choral pieces of all, writing a timeless musical memorial to himself. Personal details
  • Professor Jan Schumacher is Director of Music at Goethe University in Frankfurt am Main and conductor of Camerata Musica Limburg. He has been teaching choral conducting to beginners and advanced students for over twenty years, regularly leads international conducting courses and master classes and is active worldwide as a guest conductor, adjudicator and seminar leader. He is Chairman of the Choral Advisory Board of the German Music Council and Vice President of the International Federation for Choral Music (IFCM). As an author and editor he has been associated with Carus-Verlag for many years. Personal details
  • Peter Cornelius, born in Mainz in 1824, died there in 1874. Son of an actors' couple. Initially also took up this profession, but then studied counterpoint with S. Dehn in Berlin from 1844 to 1846. His church music dates mainly from this period and from the years after 1852, when he went to Liszt in Weimar, who encouraged his work as a church composer. Cornelius became one of the most important pioneers of the New German School. He followed Wagner to Munich in 1865, where he worked as a composition teacher at the newly founded Royal School of Music from 1867 on. Today, his opera ‘Der Babier von Bagdad’ (1858) and his ‘Weihnachtslieder’ op. 8 are particularly well known.  Personal details

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