Robert Schumann / Hye-Young Cho (arr.) Dichterliebe

Arrangement for choir and pianoforte (Arr. Hye-Young Cho)

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From sublime ecstasy to the deepest despair, Robert Schumann’s Dichterliebe (Poet’s love), based on texts by Heinrich Heine, is a story encompassing all the facets of a true and passionate love. The cycle was written in 1840, the year in which the composer, after a lengthy battle and against fierce resistance, was allowed to wed the virtuoso pianist Clara Wieck. 1840 is also celebrated as the “year of song” in the composer’s oeuvre.

This edition makes this world-famous cycle accessible to choirs while creating an entirely fresh sonic experience. Appearing in their new guise, the familiar melodies still closely reflect Schumann’s musical intentions. Hye-Young Cho is one of South Korea’s leading composers. Here she has produced sensitive arrangements in which the vocal groups are deployed in a varied and well considered manner. Her harmonies strictly follow Schumann’s piano setting (which she adopts unchanged), and thus the arrangements preserve the simple yet intense character of the songs.

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Score, foreword in German and English Carus 9.309/00, ISMN 979-0-007-34185-5 52 pages, DIN A4, paperback Minimum order quantity: 20 copies
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Score digital (download), pdf file Carus 9.309/00-010-000, ISMN 979-0-007-34186-2 52 pages, DIN A4 Minimum order quantity: 20 copies
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  • Robert Schumann is still primarily known as a composer of piano and lieder and as a symphonic composer. In his later creative years, however, he saw the composition of choral music as an important focus of his work. Even today, it is important to discover a largely unknown Schumann, whose choral music masterfully combines popular appeal and artistic ambition. Carus offers Schumann's complete works for mixed choir and for female choir a cappella and with piano. They demonstrate his love of experimentation, his sensitivity in the selection and musical realisation of the texts and, last but not least, his independent choral style, which places particular emphasis on refined details in the composition. Personal details
  • Hye-Young Cho (born 1969) is considered one of the leading composers in South Korea. Her works have been performed in almost every choir and commissioned by most major professional choirs in South Korea. Notably, she was commissioned to write Te Deum for the opening concert of the World Symposium on Choral Music (WSCM) held in Seoul, Korea (2014).

    Currently, she is the residence composer for Incheon City Chorale. She has also been the resident composer for the Ansan City Choir and National Chorus of Korea. She is the former president of the Korean Choral Composer Association (KCCA) and has taught at Hanyang University, Konkuk University, and Kangwon National University. She received bachelor's and master's degrees in music composition at Hanyang University in Seoul, Korea.

    Personal details

Reviews

…das Resultat ist sehr seriös an Schumanns Werk orientiert …
Gustav Danzinger, Chor Aktuell, 12/2025

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Frequent questions about this work

Is the piano part in the arrangement identical to the piano part in the solo songs?

Yes, the piano part has been adopted unchanged (basis: Bärenreiter 3rd edition from 2018, original edition for high voice).
The casting of the solo parts is optional. If no soloists are available, the corresponding passage can alternatively be sung by the corresponding voice group of the choir.
Der Chor ist vierstimmig gesetzt mit einzelnen Teilungsstellen in allen Stimmen. Die einzelnen Lieder unterscheidet sich dabei ein wenig voneinander. Es gibt Solostellen von Mezzosopran (komplettes "Hör ich das Liedchen klingen"), Tenor und Bariton; die Solobesetzung ist aber optional. Ein Sopran 2 ist bei einigen Liedern als selbstständige Stimme geführt (dreistimmiger Frauensatz z.B. bei "Am leuchtenden Sommermorgen", hier auch Teilungsstellen im Alt).
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