Befiehl du deine Wege
Mass and Motets
Contents
-
Composer
Johann Christoph Altnickol
| 1719-1759
-
Preface writer
Michael Wersin
-
Ensemble
Norddeutscher Figuralchor
The Norddeutsche Figuralchor was founded by Jörg Straube in 1981 and rapidly developed into one of the leading chamber choirs in the German Federal Republic. In 1985 the mixed choir of ca. 35 trained singers won third prize in the German Choral Competition (specialist category), and five years later they were awarded first prize for their outstanding performance at the same competition. The Norddeutsche Figuralchor were also winners of the 1992 international chamber choir competition in Takarazuka (Japan), where a German choir was participating for the first time, and in the 1997 Brahms Competition in Hamburg. At the 31st International Choral Competition in Tolosa (Spain, 1999), the choir won first prize in the category of polyphony and second prize in the folk music section. The group’s repertoire extends from 16th-century works to contemporary music, with particular emphasis on the exploration and performance of the romantic choral literature as well as so-called early music. The ensemble’s high artistic and technical standards are documented on numerous recordings – including radio productions with North German Radio, West German Radio, SFB and Radio Bremen – and confirmed by prestigious awards: the German Record Critics’ Prize for Peter Cornelius’s Choral Works (1988) and Frank Martin’s Mass and Ariel choruses (1996), and the ECHO Klassik Record Prize in 1998 and 1999 for Max Reger’s Sacred Choral Music (1998) and Brahms’s Complete Sacred Works (1998), respectively. In addition to a-cappella projects, the choir regularly collaborates with such notable ensembles as Musica Alta Ripa, Musica florea (Prague), Concerto Palatino, or with the renowned harpsichord player Andreas Staier as soloist. The Norddeutsche Figuralchor has undertaken concert tours in Europe and has returned to Japan, partly at the invitation of the Ministry for External Affairs and the German Music Council. Personal details
-
Ensemble
Musica Alta Ripa
The instrumental ensemble Musica Alta Ripa was founded in 1984. In tandem with their personal careers, the members of the group have formed an internationally sought-after band of musicians that for many years has been invited to play in major concert series and festivals on account of its high artistic standards, wealth of interpretative color, flexible ensemble, and attractive repertoire. The breadth of this repertoire is documented by a variety of projects including the stage production of Giasone by Francesco Cavalli and Solche Wunderwercke by Agostino Steffani at the Hannover Opera, and the production Purcell in love in Hannover-Herrenhausen. For many years, Musica Alta Ripa has been making its mark with unusual and prize-winning CDs (e.g., Diapason d’Or, ECHO Klassik, Cannes Classical Award). In addition to Italian chamber cantatas and instrumental music of the German and French late baroque, the ensemble has recorded the solo concertos and the flute and violin sonatas of J. S. Bach and a cycle of Telemann’s overtures, sonatas and concertos. In recognition of its artistic work, Musica Alta Ripa was awarded the Music Prize of Lower Saxony for 2002. In 2004, for the second time, the group was named best chamber music ensemble by ECHO Klassik. Personal details
-
Conductor
Jörg Straube
Reviews
Der schon vielfach mit bemerkenswerten Einspielungen hervorgetretene Norddeutsche Figuralchor entfaltet ein chorisches Klangideal: Mischfähige, gut disponierte Register finden zu einer gemeinsamen interpretatorischen Geste und exakter Artikulation. Transparenz und Beweglichkeit stehen trotz ebenfalls präsenter Klangfreude deutlich im Vordergrund. Schließlich lösen sich in der Messe sehr überzeugende Soli aus der Gruppe. Unterstützt werden die Choristen vom Ensemble ,Musica Alta Ripa', das vielfach colla parte musiziert, in einzelnen Sätzen der Messe jedoch auch im Zusammenwirken mit den Chorsolisten figurativ hervortritt und sein spielerisch hohes Niveau in die Interpretation einbringt. Die klangliche Realisierung setzt auf eine ausgewogene Präsenz der beteiligten Akteure, der Chor als zentrale Größe könnte im Gesamttableau gelegentlich etwas direkter positioniert sein. Jörg Straube und den von ihm geleiteten Ensembles gelingt ein längst überfälliger Lückenschluss im Repertoire des mittleren 18. Jahrhunderts. Zugleich befreien die Interpreten Altnickol vom Schicksal des ,ewigen Schwiegersohns' und zeigen ihn als soliden Komponisten der mitteldeutschen Musiktradition, der sein Handwerk deutlich beherrschte.
Dr. Matthias Lange
Quelle: klassik.com, 15.11.2007
[...] Für die hohe Qualität der Ausführung bürgt der Norddeutscher Figuralchor, einer der führenden Kammerchöre Deutschlands unter Leitung seines Gründers Jörg Straube.
Herbert Lauermann
Chor aktuell, 3/2009