Johann Christoph Altnickol: Befiehl du deine Wege - CD, Choir Coach, multimedia | Carus-Verlag

Johann Christoph Altnickol Befiehl du deine Wege

Mass and Motets

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As the son-in-law of Johann Sebastian Bach, Johann Chrisoph Altnickol, who married Bach’s daughter Elisabeth Juliana Friederica in 1749, was closely associated with the Bach family. A reference written by his father-in-law which has been preserved testifies to the “very special skill” which Altnickol possessed as a composer and organist. Only a small fraction of Altnickol’s compositions have survived: aside from a few instrumental works, these consist primarily of a small number of works of sacred music, most of which are presented on this CD, and most are world premiere recordings. They include the Kyrie-Gloria-Messe in D minor. In his works Altnickol appears, in varying degrees, to be influenced by his teacher, Johann Sebastian Bach. This is certainly most evident in his chorale motet, Befiehl du deine Wege. In this work Altnickol endows several verses with songlike, expressive tendencies characteristic of the gallant style. This provides a charming contrast to the high baroque, polyphonic style of the remaining verses. The Norddeutsche Figuralchor and Musica Alta Ripa, under the direction of Jörg Straube, is an extremely solid and homogenous-sounding ensemble which masterfully presents the varied facets of these works.
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  • Kyrie I
  • Christe eleison
  • Kyrie II
  • Gloria
  • Laudamus te
  • Gratias agimus tibi
  • Domine Deus
  • Qui tollis
  • Quoniam tu solus Sanctus
  • Cum Sancto Spiritu
  • Vers 1: Befiehl du deine Wege
  • Vers 2: Dem Herren musst du trauen
  • Vers 3: Dein ewge Treu und Gnade
  • Vers 4: Weg hast du allerwegen
  • Vers 5: Und ob gleich alle Teufel
  • Vers 6: Hoff, o du arme Seele
  • Auf, auf, gib deinem Schmerze
  • Vers 8: Ihn, ihn lass tun und walten
  • Vers 9: Er wird zwar eine Weile
  • Vers 10: Wird's aber sich befinden
  • Vers 11: Wohl dir, du Kind der Treue
  • Vers 12: Mach End, o Herr, mach Ende
  • Sanctus I
  • Sanctus II
  • Nun danket alle Gott
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Compact Disc Carus 83.168/00, EAN 4009350831681 CD in jewel case
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  • The Norddeutsche Figuralchor was founded by Jörg Straube in 1981 and rapidly developed into one of the leading chamber choirs in the German Federal Republic. In 1985 the mixed choir of ca. 35 trained singers won third prize in the German Choral Competition (specialist category), and five years later they were awarded first prize for their outstanding performance at the same competition. The Norddeutsche Figuralchor were also winners of the 1992 international chamber choir competition in Takarazuka (Japan), where a German choir was participating for the first time, and in the 1997 Brahms Competition in Hamburg. At the 31st International Choral Competition in Tolosa (Spain, 1999), the choir won first prize in the category of polyphony and second prize in the folk music section. The group’s repertoire extends from 16th-century works to contemporary music, with particular emphasis on the exploration and performance of the romantic choral literature as well as so-called early music. The ensemble’s high artistic and technical standards are documented on numerous recordings – including radio productions with North German Radio, West German Radio, SFB and Radio Bremen – and confirmed by prestigious awards: the German Record Critics’ Prize for Peter Cornelius’s Choral Works (1988) and Frank Martin’s Mass and Ariel choruses (1996), and the ECHO Klassik Record Prize in 1998 and 1999 for Max Reger’s Sacred Choral Music (1998) and Brahms’s Complete Sacred Works (1998), respectively. In addition to a-cappella projects, the choir regularly collaborates with such notable ensembles as Musica Alta Ripa, Musica florea (Prague), Concerto Palatino, or with the renowned harpsichord player Andreas Staier as soloist. The Norddeutsche Figuralchor has undertaken concert tours in Europe and has returned to Japan, partly at the invitation of the Ministry for External Affairs and the German Music Council. Personal details
  • The instrumental ensemble Musica Alta Ripa was founded in 1984. In tandem with their personal careers, the members of the group have formed an internationally sought-after band of musicians that for many years has been invited to play in major concert series and festivals on account of its high artistic standards, wealth of interpretative color, flexible ensemble, and attractive repertoire. The breadth of this repertoire is documented by a variety of projects including the stage production of Giasone by Francesco Cavalli and Solche Wunderwercke by Agostino Steffani at the Hannover Opera, and the production Purcell in love in Hannover-Herrenhausen. For many years, Musica Alta Ripa has been making its mark with unusual and prize-winning CDs (e.g., Diapason d’Or, ECHO Klassik, Cannes Classical Award). In addition to Italian chamber cantatas and instrumental music of the German and French late baroque, the ensemble has recorded the solo concertos and the flute and violin sonatas of J. S. Bach and a cycle of Telemann’s overtures, sonatas and concertos. In recognition of its artistic work, Musica Alta Ripa was awarded the Music Prize of Lower Saxony for 2002. In 2004, for the second time, the group was named best chamber music ensemble by ECHO Klassik. Personal details

Reviews

Der schon vielfach mit bemerkenswerten Einspielungen hervorgetretene Norddeutsche Figuralchor entfaltet ein chorisches Klangideal: Mischfähige, gut disponierte Register finden zu einer gemeinsamen interpretatorischen Geste und exakter Artikulation. Transparenz und Beweglichkeit stehen trotz ebenfalls präsenter Klangfreude deutlich im Vordergrund. Schließlich lösen sich in der Messe sehr überzeugende Soli aus der Gruppe. Unterstützt werden die Choristen vom Ensemble ,Musica Alta Ripa', das vielfach colla parte musiziert, in einzelnen Sätzen der Messe jedoch auch im Zusammenwirken mit den Chorsolisten figurativ hervortritt und sein spielerisch hohes Niveau in die Interpretation einbringt. Die klangliche Realisierung setzt auf eine ausgewogene Präsenz der beteiligten Akteure, der Chor als zentrale Größe könnte im Gesamttableau gelegentlich etwas direkter positioniert sein. Jörg Straube und den von ihm geleiteten Ensembles gelingt ein längst überfälliger Lückenschluss im Repertoire des mittleren 18. Jahrhunderts. Zugleich befreien die Interpreten Altnickol vom Schicksal des ,ewigen Schwiegersohns' und zeigen ihn als soliden Komponisten der mitteldeutschen Musiktradition, der sein Handwerk deutlich beherrschte.

Dr. Matthias Lange
Quelle: klassik.com, 15.11.2007

[...] Für die hohe Qualität der Ausführung bürgt der Norddeutscher Figuralchor, einer der führenden Kammerchöre Deutschlands unter Leitung seines Gründers Jörg Straube.

Herbert Lauermann
Chor aktuell, 3/2009

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