Antonio Salieri: La Passione di nostro Signore Gesù Cristo - Sheet music | Carus-Verlag

Antonio Salieri La Passione di nostro Signore Gesù Cristo

1776

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Pietro Metastasio’s libretto to La Passione di nostro Signore Gesù Cristo (1730) is a prototype for the Italian Catholic oratorio of the 18th century. The Biblical text is entirely transformed into free verse. Metastasio originally wrote the text for Antonio Caldara, but it has been set to music many times. 

Salieri's setting seems to have particularly pleased the famous poet. In a letter to the 26-year-old composer, he stated that it was the most expressive music written to this poem – a great compliment!

Salieri composed his oratorio in 1776 for a concert presented by the “Musicalische Societät der freyen Tonkunst der Witwen und Waisen.” This society was a kind of pension and insurance organization and at the same time it was the first public concert society in Vienna and the only Musical institution devoted primarily to the performance of oratorios. Its concerts were given in the Burgtheater during Advent and Lent.

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Full score, First edition Carus 40.942/00, ISMN 979-0-007-07842-3 272 pages, DIN A4, paperback
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Vocal score Carus 40.942/03, ISMN 979-0-007-07843-0 164 pages, DIN A4, paperback
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Choral score Carus 40.942/05, ISMN 979-0-007-07844-7 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
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Set of parts, complete orchestral parts, for hire, also available in digital form Carus 40.942/19, ISMN 979-0-007-13969-8 DIN A4, without cover
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Full score digital (download), pdf file Carus 40.942/00-010-000, ISMN 979-0-007-35994-2 272 pages, DIN A4
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Vocal score digital (download), pdf file Carus 40.942/03-010-000, ISMN 979-0-007-35225-7 164 pages
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Set of parts digital (download), zip file, pdf file, complete orchestral parts, for hire Carus 40.942/19-010-000 DIN A4
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Additional product information
  • Antonio Salieri (1750–1825) was an Italian composer of the Classical period. In 1766, Florian Leopold Gassman invited Salieri to come to Vienna. Salieri accepted this offer and, apart from travelling, never left the city again until the end of his life. He composed in all genres common at the time and was very successful in his day, with his operas being particularly popular in Vienna. His works also include many sacred choral works, such as oratorios, cantatas, masses and requiems.

    In the last century, Salieri gained fame through his portrayal in the film Amadeus (1984). The film depicts the supposed rivalry between him and Mozart. Even though the version portrayed in the film most likely bears little resemblance to the historical reality, it had a strong influence on the public image of Salieri. However, the film also ensured that Salieri's largely unperformed works are receiving more attention again today.

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