Du angenehme Nachtigall. Vogelarien und Liebeslieder des Barock - CD, Choir Coach, multimedia | Carus-Verlag

Du angenehme Nachtigall. Vogelarien und Liebeslieder des Barock

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The popular series "Musik für Blockflöte" (Music for Recorder) has been continued in the last years with numerous highly interesting new discoveries. Some of the works from the Flauto e voce series have now appeared on CD, the theme here being Baroque bird arias and love songs from Germany, England, France and Italy as performed by the Collegium "Flauto e voce" with its founder Peter Thalheimer and the singers Susan Eitrich and Ute Kreidler. As can be discerned from the variety of arias on this recording, the imagination of the poets was as boundless as that of the composers. In its proximity to human as well as bird song, but especially in the simple beauty of its sound, the recorder appealed immediately to listeners of yore as much as it appeals to today's listeners.
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Listen (19)
  • Hark! How the songsters
  • Süße Lippen, holde Wangen
  • Kleine Vöglein, eure Scherze
  • Du angenehme Nachtigall
  • Tout ce que j'attaque se rend
  • Mais, tout parle d'amour
  • Ruisseaux, qui serpentez
  • Son rosignolo
  • Dormi, Giocasta
  • Cara sorte
  • Largo
  • Allegro
  • Grave
  • Grave
  • Proceed, sweet charmer of the ear
  • Warbling the birds enjoying
  • Mich tröstet die Hoffnung
  • Wo bleibst du, mein Leben
  • Ihr fliegenden Sänger
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Purchase
Compact Disc Carus 83.344/00, EAN 4009350833449 CD in jewel case
available in audio portals (streaming)
 
 
  • Peter Thalheimer studied recorder, flute (with Prof. Hartmut Strebel) and school music in Stuttgart. He completed his musicological studies with a doctorate at the Eberhard-Karls-Universität of Tübingen. He has taught in Nuremberg since 1978, and is currently professor of historical performance practice and recorder/transverse flute at the Hochschule für Musik Nuremberg. Concerts, radio and recording productions, courses and lectures he has given have taken him throughout Europe and the USA. In addition, his work has resulted in numerous music editions, as well as publications on performance practice, the study of instruments and on woodwind technique. An extensive collection of historical and modern flutes and recorders forms the basis for this work. Personal details
  • The soprano Susan Eitrich studied singing with Richard Wistreich at the Institute of Early Music attached to Trossingen Musikhochschule. A diploma was followed by further studies which she completed with honors. She also attended master courses given by Richard Levitt, Emma Kirkby, Jill Feldman and others. In 2001 she was awarded a first prize at the Gorizia (Italy) singing competition. As well as performing extensively in oratorios and cantatas, Susan Eitrich gives song recitals. Her work is documented on CD and radio recordings. Personal details
  • Peter Thalheimer studied recorder, flute (with Prof. Hartmut Strebel) and school music in Stuttgart. He completed his musicological studies with a doctorate at the Eberhard-Karls-Universität of Tübingen. He has taught in Nuremberg since 1978, and is currently professor of historical performance practice and recorder/transverse flute at the Hochschule für Musik Nuremberg. Concerts, radio and recording productions, courses and lectures he has given have taken him throughout Europe and the USA. In addition, his work has resulted in numerous music editions, as well as publications on performance practice, the study of instruments and on woodwind technique. An extensive collection of historical and modern flutes and recorders forms the basis for this work. Personal details

Reviews

… eine sehr abwechslungsreiche und unterhaltsame CD …, die nicht nur Blockflötenfreunde ansprechen sollte. Die beiden Sängerinnen bringen überzeugende Interpretationen. …
(Johan van Veen, Toccata, Heft 5/2012)

Een fraaie cd … deze muziek zal zeker ter inspiratie dienen. (Eine schöne CD … diese Musik sollte allemal als Inspiration dienen.)
(Wieke Karsten, Fluit, 03/2012)

Eine Einspielung, die nicht nur Spaß beim Hören macht, sondern auch zu eigenen Aufführungen anregen sollte.
(Gerhard Braun, Tibia, Heft 2/2012)

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