Missa Sanctae Crucis
MH 56, 1762
Sanctae Crucis, Michael Haydn’s compact a cappella setting of the Ordinary of the Mass, features a striking clarity of form and depth of expression. The work combines stylistic rigor with meditative depth. The paired voice combinations, particularly evident in the Kyrie and Agnus Dei, are distinctive, along with the clear arrangement of the Gloria and Credo, which are rhythmically and harmonically convincing.
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Composer
Johann Michael Haydn
| 1737-1806Johann Michael Haydn worked at the renowned ecclesiastical princely court in Salzburg from 1763. Stylistically, he bridged the gap between the early classical period and the Biedermeier period during his 43 years there. In accordance with his official duties, Haydn contributed to practically all the genres cultivated in the Catholic liturgy: Haydn's church music is characterised by his knowledge of the liturgical function and the musical interpretation of religious texts. Johann Michael Haydn was initially regarded by his contemporaries as equal to Joseph Haydn. It was only the rapid rise of his elder brother to become the most important instrumental composer of the time that pushed Johann Michael Haydn into the shadows, from which the joy of musical discovery in recent years has increasingly brought him out. Personal details
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Editor
Charles H. Sherman
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